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IRNELIUS DUEL MOSHER ^ 

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INTRODUCTION 

BY THE EDITOR. 

AVERY few words of introduction will suffice 
to explain the character and purpose of 
this new edition of William Blake's Poetical Works. 
Five-and-thirty years ago, and some twelve years 
after the death of Blake, an edition of the Songs 
of Innocence and Experience* (the first, in fact, 
printed in the ordinary way) was issued by the 
father of the present Publisher. It was edited 
by Dr. Garth Wilkinson, who prefixed a graceful 
preface, which presented for the first time any- 
thing like an adequate appreciation of the high 
and subtle qualities of the artist-poet's verse. 

Some eleven years ago the publication of Gil- 
christ's "Life of Blake" created, or re-awakened 
at least, an extraordinary interest in the poet- 
pamter's singular genius. This memoir, which its 



• Song o f Inn ocence and of Experience, she wiPE the Iwo 
Kates of the human Suu l. By William Blake. London : 
W. Pickering, Chancery l-aoe, 1839 ; pp. xsi. 76. 




ISTRODUCTIOS. 



impllshed a.uthoT did not live Jiilly to i 
plete, was accompanied by a collection of Blake's 
lyrical poems. ThU collection, it soon appeared, 
was very imperfect as r^ards completeness and 
very unreliable as regards accuracy of text. Apart 
from these serious disadvantages, the mass of 
extraneous matter with which it was weighted 
placed it beyond the reach of many readers who 
might desire to possess the Poems in a separate 
form. These considerations, his father's former 
connexion with the Songs of Innocence, and 
the purchase eventually of a number of inedited 
autograph Poems of Blake, led the Publisher to 
re-issue his father's volume, together with the 
I newly-acquired pieces, in 1866. The ground was 

S carefully re-traversed, and several errors into which 
Dr. Wilkinson had fallen were removed by a 
careful collation with the rare original edition 
issued by Blake himself. The little volume was 
welcomed as satisfying a public want, and it passed 
into a second edition (now also exhausted) two 
years later (1868). About the same time the loan, 
opportunely obtained, of a still rarer book, the 
juvenile Poetical Sketches, privately printed in 
1783, with a few other short pieces written in the 
fly-leaves, enabled the Pubhsher to add a twin 
volume to the former one. These are now united, 



INTRODUCTION. vji 

together with a few similar pieces, not included 
before, scattered through the Prophetical Books. 
It win suffice to add that not a few of these pieces 
do not appear in Gilchrist's " Life of Blake," and 
being the present Publisher's copyright, cannot 
appear in Messrs. Bell's forthcoming edition. 



Although the poetry of Blake was comparatively 
neglected until a quite recent period, it did not 
remain entirely unnoticed even during his lifetime, 
Flaxman, through whose kindly aid his early veises 
are preserved to us, considered Blake's poems as 
fine as his pictures. Wordsworth spoke of them 
with a generous admiration, which he did not often 
accord to the writings of his contemporaries, 
Charles Lamb also loved them as so subtle a 
critic" and so kind and simple-hearted a man could 
not &.il to do. 

" A Father's Memoirs of his Child," by Benjamin 
Heath Malkin, (London, 1806}, contains a portrait 
frontispiece designed by Blake, in introducing 
which the author devotes twenty pages to a dis- 
quisition on Blake's genius, and quotes the follow- 
ing poems : " Laughing Song," " Holy Thursday," 
"The Divine Image," "How sweet I roam'd," 
" I love the jocund dance," " The Tiger." 



INTRODUCTION 

On this memoir the late Mr. Henry Crabb 
Robinson founded a notice of Blake as an artist 
and poet, which was translated into German by a 
certain Dr. Julius, and appeared in the first (and 
only) number of the second volume of the Voter- 
landisches Museum (Hamburg) in i8ir.* The 
extracts were given in both languages, and in- 
cluded: "To the Muses," "The Piper," "Holy 
Thursday," "The Tiger," "The Garden of Love," 
and a few passages from the Prophetical Books. 

The next notice of Blake's poetry was by Allan 
Cunningham in his "Lives of the Painters," in 
i83o.t His praise, however, is rather half-hearted 
and lukewarm, and the dozen pieces he printed aa 
specimens, he could not refrain from touching up 
here and there to suit bis fancy. 

In a recent volume the author of "Modem ■ 
Painters" thus soeais of Bkke's poetry: — 

" The impreslifln that his drawings once made 
is fast, and justly, fading away, though they are 
not without noble merit. But his poems have 
much more than merit; they are written with 
absolute sincerity, with infinite tenderness, and 
though in the manner of them diseased and wild, 
are in verity the words of a great and wise mind, 
disturbed but not deceived, by its sickness ; nay, 
' Pp. ioj-i3r. f Vol. II., pp, 142-179. 



INTRODUCTION. ix 

partly exalted by it, and sometimes giving forth in 
fiery aphorism some of the most precious words 
of existing literature."* 

That the poems of ^Vi^iam Blake should have 
been long neglected was but the natural con- 
sequence both of the vitiated taste of his con- 
temporaries and of the unusual manner of their 
publication — if publication it can, indeed, be called. 

" It consisted," says Mr, Gilchrist, " in a species 
of engraving in relief both words and designs. 
The verse was written, and the designs and mar- 
ginal embellishments outlined on the copper with 
an impervious liquid, probably the ordinary stop- 
ping-out varnish of engravers. Then all the white 
parts or lights, the remainder of the plate that 
is, were eaten away with aquafortis or other acid, 
so that the outline of letter and design was left 
prominent as in stereotype. Prop these plates 
he printed off in any tint, yellow, brown, blue, 
required to be the prevailing, or groimd colour 
in his facsimiles ; red he used for the letterpress. 
The page was then coloured up by hand in imi- 
tation of the original drawing, with more or less 
variety of detail in the local hues."t 

It is not extraordinary that a book appearing in 

" John Rnskin, "The Eagle's Nest" (1873), p. 23, 
t GUchrisl's Lifia/Biaki (Lond. 1863), L 69. 



X INTRODUCTION. 

this way should have failed to attract the attet 
of an age which chose Whitehead for its Poet 
Laureate, which applauded tlie mediocrities of 
Darwin and Hayley, and which refused to read 
or to buy the Lyrical Ballads in oidinary "hot- 
pressed twelves." 

To Wiliiam Biake must, however, be accorded 
the merit of having been the first to lead back 
English poetry to that simplicity and nature from 
which the school of Pope and his feeble imitators 
. Jiad so widely departed. Already in 1783, he had 
I printed for circulation among his friends a tiny 
volume of verses written in very early youth, and 
containing, among other things, six songs charac- 
terized by a power of lyrical feeling and expression 
of which no poet had given evidence for more 
than a century. As these poems were all written 
by Blake before he had attained his one-and- 
twehtieth year in 1777, we may fairly call him the 
precursor not only of Wordsworth, whom he pre- 
ceded by fully fifteen years, but also of Cowper 
and of Bums, With respect to the first of tliese the 
iact is all the more remarkable on account of the 
' general resemblance in tone and style, the simi- 
larities of subject and metre between the Songs of 
Innocence and of Experience published in 1789- 
1794 and the earlier poems of Wordsworth, pub- 



INTRODUCTION. " xi 

lished in 1798, 1800, and 1807, such pieces as 
Goody Blake and Harry Gill, Poor Susan, The 
Two Thieves, Rural Architecture, Alice Fell, and 
all that class of poems which -drew down on 
Wordsworth the ridicule of Jeffrey and other self- 
constituted critics of the period. There is pre- ■ 
cisely the same exquisite tenderness and noble 
simplicity in Blake. Some dozen of his Songs of 
Innocence might assuredly have been printed in 
the Lyrical Ballads ajid have passed for Words- 
\. worth's, and on the whole the attentive student 
who follows out this hint, with the two books 
before him, will discover coincidences of thought 
and expression which are very remarkable. 

Nevertheless, the fame of Blake as a poet has 
not kept pace with his fame as an artist His 
original volumes, it is true, are sold for fabulous 
prices; but probably more on account of the 
embellishments than the poetry. Certain it is that 
no poet can expect to survive who depends on 
illustrated or illuminated editions for his celebrity.* 
We think, however, that the poems of William 
Blake are destined at length to meet with a full 
^j^though tardy recognition, and that they will there- 
fore be welcome without such adventitious aid ; 
that they will be cherished by children for their 



Ding fame of B 



^y .1™ 




INTRODUCTION. 



I 



_purity and simplicity, and by grown-up men 

women for the deeper meanings which always 
1 underlie the most simple of them: — 

I " Thoughls that do often lie loo deep for lears." 

^ There is something sublime in the spirit of 
/childlike innocence and Christian rebuke of world- 
'liness and hardheartedness that pervades these 
'. productions. He sums up all the commandments 
under the precept, "Little children, love one 
another. For love is the fuIfilUng of the law. 
He that loveth not, knoweth not God; for God is 
love." 

Some of his poems would doubtless have been 
improved by additional polish ; there are many 
harsh and rugged lines, many with an imperfect 
number of feet. His ear seems to have been 
uncertain ; and sometimes, as in " The Little 
Vagabond," he forgets to rhyme, or makes the 
same word do duty in lieu of a rhyme. He also 
now and then uses a singular verb for a plural, and 
vice vcrsA. But a reader who should be greatly- 
offended by these occasional inaccuracies would 
be quite incapable of appreciating his higher 
beauties : the matter makes us forget the manner. 

Despite what has been said above, he somt 
times attains a perfection of lyrical expression in 



k. 



INTRODUCTION. 

his shorter pieces unequalled except in Shakespeare 
and Tennyson, and evidently due to a reverential 
study of the earlier models. Our two greatest 
Poets have never written songs of more surpassing 
melody or richer music than the Blossom and the 
Sunflower. 

Those other wonderful productions of Blake's 
mystical and visionary genius — the Books of Pro- 
phecy — of which the key-note is struck in the two 
opening pieces of the Songs of Experience, have 
yet to find acceptance with the public. Despite 
their strangeness of metre, however, and a certain 
forbidding aspect, at first sight, of wildness and 
incoherence, they will well repay study, and will 
be found to contain here and there lines of as 
great beauty as anything in his lyrical poems. 

Before dosing our remarks, we must say a final 
word respecting the principle adopted by Mr. 
Rossetti in his reprint of some of these poems in 
(he second volume of Gilclu-ist's " Life of Blake." 
Once for all, while rendering due homage to his 
gecius and rare critical perception, as well as to 
the great services he has rendered to the fame of 
Blake, we must firmly protest against the dangerous 
precedent he has established of tampering with , 
his author's text Much ruggedness of metre and 
crudeness of expression he has doubtless removed 



xiv JNTRODUCTIQN. 

or toned down by this process ; but, how 
delicately and tastefully done, we contend that 
the doing of it was unwarrantable — nay, that it 
destroys to a certain extent the historical value 
I of the poems. It was the grovrth of this mJs- 
\ chievous system which prevented the readers of the 
eighteenth century from enjoying a pure text of 
Shakespeare; which to this day, in nine editions 
out of ten, gives us a corrupt and mutilated text 
of such writers as Bunyan, Walton, and De Foe, 
and which has spoilt some of the finest hymns 
in our language. For where is the process, once 
admitted as legitimate, to stop? It is not every 
emendator who possesses the taste and judgment 
of Mr. Rossetti, and, in a case like the present 
one, where the original edition is almost inaccessible 
as a check, what protection has the reader against 
I the caprice or vanity of an editor who does not 
I adhere religiously to his author's text ? Mr, 
Rossetti (though sanctioned by Mr. Swinburne) 
has no more right to alter William Blake's poems 
than Mr. Millais would have to paint out some 
obnoxious detail of mediEevalism in a work of 
Giotto or Cimabue; or Mr. Leighton to improve 
some flaw in the flesh-colour of Correggio. 

R. H, Shepherd. 
Brompton, July, 1S74. 



WITH BLAKE'S " SONGS OF INNOCENCE." 

[To Florepce , at Mrs. Gilchrist's Cottage, Brookbank, 

near Haslemere, whence the Preface to Blake's Life is 
dated.] 

Accept, dear child, these songs of one whose 

Muse 
For happy children piped her sweetest lays. 
Nor deem'd their suflBrages her lightest praise 
Who hold Heaven's kingdom as their proper dues. 
And wilt thou with the lyric gift refuse 
His thanks, whose drooping spirits thou couldst 

raise 
By airy gestures, graceful as a fay's 
Dancing at eve in shady avenues ? 

With rapt delight I see you ponder long 

The gentle words of one so pure of blame, 

Who loved the right, who scom'd and loathed the 

wrong: 

O future heiress of his double fame. 

Whose smile, whose look, nay, even whose very 

name 

Recalls the sunny land of art and song. 

K.. H. S. 
1869. 



CONTENTS. 



POETICAL SKETCHES. 

PACK 

TO SPRING ...... 5 

TO SUMMER ..... 6 

TO AUTUMN ...... 7 

TO WINTER ...... 8 

TO THE EVENING STAR .... 9 

TO MORNING .... 9 

FAIR ELEANOR . . . lO 

SONG ...... 13 

SONG ....... 14 

SONG ...... 14 

SONG . . • 15 

SONG ...... 16 

M^AD SONG ...... 17 

SONG . . . 18 

SONG ....... 19 

TO THE MUSES ..... 20 

GWIN, KING OF NORWAY .21 

AN IMITATION OF SPENSER ... 26 



xviii CONTENTS, 

PAGE 
BLIND-MAN*S BUFF . . .28 

KING EDWARD THE THIRD • • • 33 

PROLOGUE TO KING EDWARD THE FOURTH . . 69 

PROLOGUE TO KING JOHN .... 70 

A WAR SONG . . . . .72 

THE COUCH OF DEATH . . -73 

CONTEMPLATION . . . . -76 

SAMSON ...... 78 

SONGS OF INNOCENCE. 

INTRODUCTION . . . . . .87 

THE SHEPHERD ..... 88 

THE ECHOING GREEN . . . .88 

V^THE LAMB ...... 89 

THE LITTLE BLACK BOY . -90 

THE BLOSSOM . . 9 1 

L THE CHIMNEY-SWEEPER . . -92 

\^ THE LITTLE BOY LOST .... 93 

f- THE LITTLE BOY FOUND . . . -94 

1^' A CRADLE SONG ..... 94 

\y THE DIVINE IMAGE . . . . -95 

. HOLY THURSDAY ..... 96 

NIGHT . . . -97 

SPRING ...... 99 

nurse's SONG ...... 100 

INFANT JOY ..... lOI 

A DREAM ...... 102 

LAUGHING SONG . . 103 

THE SCHOOL-BOY ..... 103 



CONTENTS, 



XIX 



v/^N another's sorrow . 

THE VOICE OF THE ANCIENT BARD 



PAOB 
105 
106 



SONGS OF EXPERIENCE 



introduction 
earth's answer 
infant sorrow , 
my pretty rose-tree 
ah i sun-flower , 

THE LILY 

the sick rose 

nurse's song , 

the clod and the pebble 

the garden of love. 

THE FLY 
THE TIGER 
A LITTLE BOY LOST 
HOLY THURSDAY 
THE ANGEL. 
THE LITTLE GIRL LOST 
THE LITTLE GIRL FOUND 
LONDON . 
TO TIRZAH . 
THE HUMAN ABSTRACT 
^'THE CHIMNEY-SWEEPER 
POISON-TREE . 
A LITTLE GIRL LOST 
A DIVINE IMAGE 
THE LITTLE VAGABOND 



109 
I ID 
III 
III 
112 
M-2 

"3 

"3 

114 
114 

"5 
116 

"7 
118 

119 

121 

124 

124 

125 

126 

127 

128 

129 

129 



XX CONTENTS, 

MISCELLANEOUS POEMS. 

PAGE 
THE SMILE . . . . . .133 

THE GOLDEN NET ..... I34 

THE MENTAL TRAVELLER . . . .135 

THE LAND OF DREAMS . . . . 1 39 

MARY ....... 140 

THE CRYSTAL CABINET .... I43 

THE GREY MONK ..... I44 

AUGURIES OF INNOCENCE .... I45 

LONG JOHN BROWN AND LITTLE MARY BELL . 150 

WILLLAM BOND ..... I5I 

SONG BY A SHEPHERD . . . . -154 

SONG BY AN OLD SHEPHERD . . . I54 

TO THE JEWS ...... 155 

TO THE DEISTS . . . . . 1 58 

TO THE CHRISTIANS ..... 160 

FROM " MILTON" . . . . 161 

DEDICATION OF BLAIR'S GRAVE . . 162 



POETICAL 



SKETCHES. 



By W. B. 



LONDON : 
Printed in the year mdcclxxxiii. 

B 



ADVERTISEMENT. 

HE foUowiog Sketches were the pro- 
duction of untutored youth, com- 
menced in his twelfth, and occasion- 
aJly resumed by the author till his 
twentieth year; since which time, his talents having 
' been wholly directed to the attainment of excellence 
in his profession, he has been deprived of the 
leisure requisite to such a. revisal of these sheets^ 
as might have rendered them less unfit to meet 
the public eye. 

Conscious of the irregularities and defect? to be 
found in almost every page, his friends have still 
believed that they possessed a poetical originality, 
which merited some respite from oblivion. These 
their opinions remain, however, to be now reproved 





POETICAL SKETCHES. 

TO SPRING. 

THOU with dewy locks, who lookest 
down 
Thro' the clear windows of the morn- 
ing, turn 

Thine angel eyes upon our western isle. 
Which in full choir hails thy approach, O Spring ! 

The hills tell each other, and the listening 
Valleys hear ; all our longing eyes are tum'd 
Up to thy bright pavilions : issue forth. 
And let thy holy feet visit our clime. 

Come o'er the eastern hills, and let our winds 
Kiss thy perfumed garments ; let us taste 
Thy mom and evening breath ; scatter thy pearls 
Upon our love-sick land that mourns for thee. 

O deck her forth with thy fair fingers ; pour 
Thy soft kisses on her bosom ; and put 
Thy golden crown upon her languished head. 
Whose modest tresses were bound up for thee ! 



TO SUMMER. 

OTHOU who passest thro' our valleys inM 
Thy strength, curb thy fierce steeds, alla;^ ' 
the heat 
That flames from their large nostrils I thou. 

Summer, 
Oft pitched'st here thy golden tent, and oft 
Beneath our oaks hast slept, while we beheld 1 
With joy thy ruddy limbs and flourishing haifl 

Beneath our thickest shades we oft have hea 
Thy voice, when noon upon his fervid car 
Rode o'er the deep of heaven : beaide our spi 
Sit down, and in our mossy valleys, on 
Some bank beside a river clear, throw thy 
Silk draperies off, and rush into the stream : 
Our valleys love the Summer in his pride. 



Our bards are famed who strike the silver \t 
Our youth are bolder than the southern swains a 
Our maidens fairer in the sprightly dance : 
We lack not songs, nor instruments of joy, 
Nor echoes sweet, nor waters clear as heaven, 1 
Nor laurel wreaths against the sultry heat. 



SKETCHES. 



TO AUTUMN. 



O 



AUTUMN, laden with fruit, and stain'd 
With the blood of the grape, pass not, but 

Beneath my shady roof, there thou mayst rest, 
And time thy jolly voice to my fresh pipe. 
And all the daughters of the year shall dance i 
Sing now the lusty song of fruits and flowers. 

" The narrow bud opens her beauties to 
" The sun, and love runs in her thrilling veins ; 
" Blossoms hang round the brows of morning, and 
'' Flourish down the bright cheek of modest eve, 
" Till clustering Summer breaks forth into singing, 
" And feather'd clouds sfrew flowers round her head. 

" The spirits of the au" live on the smells 

" Of fruit; and joy, with pinions light, roves round 

" The gardens, or sits singing m the trees." 

Thus sang the jolly Autumn as he sat; 

Then rose, girded himself, and o'er the bleak 

Hills fled from our sight; but left his golden load,. 



POETICAL 



TO WINTER. 

O WINTER ! bar thine adamantine doors : 
The north is thine; there hast thou built 
thy dark 
Deep-founded habitation. Shake not thy roofs 
Nor bend thy pillars with thine iron car. 

He hears me not, but o'er the yawning deep 
Rides heavy ; his storms are unchain'd, sheathed 
In ribbed steel ; I dare not lift mine eyes ; 
For he hath rear'd his sceptre o*er the world. 

Lo ! now the direful monster, wbose skin clings 
To his strong bones, strides o'er the groaning rocks : 
He withers all in silence, and in his hand 
Unclothes the earth and freezes up frail life. 

He takes his seat upon the cliffs, the mariner 
Cries in vain. Poor little wretch ! that deal'st 
With storms, till heaven smiles, and the monster 
Is driven yelling to his caves beneath Mount Hecla, 



id^M 



SKETCHES. 



TO THE EVENING STAR. 

THOU fair-hair'd ange! of the evening, 
Now, whilst the sun rests on the mountains, 
light 
Thy bright torch of love j Ihy radiant crown 
Put on, and smile upon our eveniug bed ! 
Smile on out loves, and, while thou drawest the 
Blue curtains of the sky, scatter thy silver dew 
On every flower that shuts its sweet eyes 
In timely sleep. Let thy west wind sleep on 
The lake ; speak silence with thy glimmering eyes, 
And wash the dusk with silver. Soon, full soon, 
Dost thou withdraw; then the wolf rages wide. 
And the lion glares thro' the dun forest : 
The fleeces of our flocks are cover'd with 
Thy sacred dew : protect them with thine influence. 

TO MORNING. 

OHOLV virgin 1 clad in purest white, 
Unlock heaven's golden gates and issue 
forth ; 
Awake the dawn that sleeps in heaven ; let light 
Rise from the chambers of the east, and bring 
The honey'd dew that cometh on waking day. 
O radiant morning, salute the sun. 
Roused like a huntsman to the chase, and with 
Thy buskin'd feet appear upon our hills. 



FAIR ELEANOR. 

THE bell struck one and shook the silent tcn^^ 
The graves give up their dead: fair Eleanor 
Walk'd by the castle-gate, and looked in ; 
A hollow groan ran thro' the dreary vaults. 

She shriek'd aloud, and sunk upon the steps. 
On the cold stone her pale cheek. Sickly si 
Of death issue as from a sepulchre. 
And all is silent but the sighing vaults. 

Chill death withdraws his hand, and she revivt 
Amazed she finds herself upon her feet. 
And, tike a ghost, through narrow passages 
Walking, feeling the cold walls with her'hands. 

Fancy returns, and now she thinks of bones 
And grinning skulls, and corruptible death 
Wrapt in his shroud ; and now fancies she h 
Deep sighs, and sees pale sickly ghosts gliding, I 

At length no fancy, bat reality 
Distracts her. A rushing sound, and the feet 
Of one that fled, approaches.^ Ellen stood. 
Like a dumb statue, froze to stone with fear. 



SKETCHES. 1 1 

The wretch approaches, crying, " The deed is done ; 
" Take this and send it by whom thou wilt send ; 
" It is my life — send it to Eleanor : — 
" He's dead, and howling after me for blood ! 

' Take this," he cried ; and thrust into her arms 
A wet napkin, wiapt about; then rush'd 
Past, howling ; she received into her arms 
Pale death, and follow'd on the wings of fear. 

They pass'd swift thro' the outer gate ; the wretch 
Howling, leap'd o'er the wall into the moat. 
Stifling in mud. Fair Ellen pass'd the bridge, 
And heard a gloomy voice cry, " Is it done ? " 

As the deer wounded Ellen flew over 

The pathless plain ; as the arrows that fly 

By night ; destruction flies, and strikes in darkness. 

She fled from fear, till at her house arrived. 

Her maids await her ; on her bed she falls. 
That bed of joy where erst her lord hath press'd : 
'• Ah, woman's fear ! " she cried, "Ahj cursed duke ' 
" Ah, my dear lord ! ah, wretched Eleanor ! 

" My lord was like a flower upon, the brows 

" Of lusty May ! Ah, life as frail as flower I 

" O ghastly death ! withdraw thy cruel hand, 

" Seek'st thou that flower to deck thy horrid temples? 



12 POETICAL 

" My lord was like a star in highest heaven 

" Drawn down to earth by spells and wickedness ; 

" My lord was like the opening eyes of day, 

" When western winds creep softly o'er the flowers. 

" But he is darken'd ; like the summer's noon 
" Clouded ; fall'n hke the stately tree, cut down ; 
" The breath of heaven dwelt among his leaves. 
" O Eleanor, weak woman, fill'd with woe t " 

Thus having spoke, she raised up her head, 
And saw the bloody napkin by her side, 
Which in her arms she brought ; and now, tenfold 
More terrified, saw it unfold itself. 



Her eyes were fix'd; the bloody cloth unfolds, 
Disclosing to her sight the murder'd head 
Of her dear lord, all ghastly pale, clotted 
With gory blood ; it groan'd, and thus it spake : 

" O Eleanor, behold thy husband's head 

" Who, sleeping on the stones of yonder tower, 

" Was reft of life by the accursed duke ! 

" A hired villain tum'd my sleep to death ! 

" Eleanor, beware the cursed duke, 
" give not him thy hand, now I am dead ; 
" He seeks thy love ; who, coward, in the night, 
" Hired a villain to bereave my life." 



SKETCHES. J 3 

She sat with dead cold limbs, stiffen 'd to stone ; 
She took the gory head up in her arms ; 
She kiss'd the pale lips ; she had no tears to shed ; 
She hugg'd it to her breastj and groan'd her last 



HOW sweet I roam'd from field to field 
And tast^ all the summer's pride. 
Till I the Prince of Love beheld 
Who in the sunny beams did glide ! 

He shew'd ra,e lilies for my hair. 
And blushing roses for my brow ; 

He led me through his gardens fair 
Where all his golden pleasures grow. 

With sweet May-dews my wings were wet, 
And Phcebus fired my vocal rage ; 

He caught me in his silken net. 
And shut me in his golden cage. 

He loves to sit and hear me sing. 

Then, laughing, sports and plays with me ; 
Then stretches out my golden wing 

And mocks my loss ofliberty. 



POETICAL 



SONG. 



MY silks and fine ajTay, 
My smiles and languisti'd iH 
By love are driven away ; 

And mournful lean Despair 
Brings me yew to deck my grave : 
Such end true lovers have. 

His face is fair as heaven 

When springing buds unfold ; 

O why to htm was't given, 
Whose heart is wintry cold ? 

His breast is love's all-worshipp'd tw 

Where all love's pilgrims come, 

Bring me an axe and spade. 
Bring me a winding-sheet ; 

When I my grave have made 
l^t winds and tempests beat : 

Then down I'll lie, as cold as clay : 

True love doth pass away ! 

SONG. 

LOVE and harmony combine 
And around our souls iotwin 
While thy branches mix with mine. 
And our roots together join. 



SICETCHES. 

Joys upon our branches sit, 
Chirping loud, and singing sweet ; 
Like gentle streams beneath our feet 
Innocence and virtue meet. 

Thou the golden fruit doat bear, 
I am, clad in Sowers fair ; 
Thy sweet boughs perfume the air, 
And the turtle buildeth there. 

There she sits and feeds her young. 
Sweet I hear her mournful song; 
And thy lovely leaves among 
There is Love ; I hear his tongue. 

There his charming nest doth lay, 
There he sleeps the night away ; 
There he sports along the day 
And doth among our branches play. 



SONG. 

I LOVE the jocund dance, 
The softly- breathing song, 
Where innocent eyes do glance 
And where lisps the maiden's tongue. 



1 6 POETICAL 

I love the laughing vale, 

I love the echoing hill, 
Where mirth does never fail. 

And the jolly swain laughs his fill. 

I love the pleasant cot, 
I love the innocent bower. 

Where white and brown is our lot 
Or fruit in the mid-day hour. 

I love the oaken seat. 
Beneath the oaken tree. 

Where all the old villagers meet. 
And laugh our sports to see. 

I love our neighbours all, 
But, Kitty, I better love thee ; 

And love them I ever shall. 
But thou art all to me. 



SONG. 

MEMORY, hither come 
And tune your merry notes : 
And while upon the wind 
Yoiu: music floats 



SKETCHES, 17 

1*11 pore upon the stream 
Where sighing lovers dream, 
And fish for fancies as they pass 
Within the watery glass. 

1*11 drink of the clear stream 

And hear the linnet's song, 
And there I'll lie and dream 

The day along : 
And when night comes, I'll go 
To places fit for woe, 
Walking along the darkened valley 
With silent Melancholy. 

MAD SONG. 

THE wild winds weep, 
And the night is a-cold ; 
Come hither. Sleep, 

And my griefs infold : 
But lo ! the morning peeps 
Over the eastern steeps. 
And the rustling beds of dawn 
The earth do scorn. 

Lo ! to the vault 

Of paved heaven. 
With sorrow fi-aught 

My notes are driven : 



POETICAL 

They strike the ear of night, 
Make weep the eyes of day ; 

They make mad the roaring winds, I 
And with tempests play. 

Like a fiend in a cloud 

With howling woe. 
After night I do crowd 

And with night will go j 
I tmn my back to the east 
From whence comforts have increaa 
For light doth seize my brain 
With frantic pain. 



FRESH from the dewy hill, the merry year 
Smiles on my head and mounts his flaming 
car; 
Round my young brows the laurel wreathes a shade 
And rising glories beam around my head. 

My feet are wing'd while o'er the dewy lawn 

I meet my maiden risen like the mora : 

Oh bless those holy feet, like angels' feet ; 

Oh bless those limbs, beaming with heavenly hght I 



SKETCHES. u 

I Like as an angel glittering in the sky 
I In times of innocence and holy joy; 

The joyful shepherd stops his grateful song 
' To hear the music of an angel's tongue, 

I So when she speaks, the voice of Heaven I hear ; 
So when we walk, nothing impure comes near ; 
Each field seems Eden, and each calm retreat ; 
Each vDlage seems the haunt of hoiy feet. 

But that sweet village, where my black-eyed maid 
Closes her eyes in sleep beneath night's shade. 
Whene'er I enter, more than mortal fire 
Burns in ray soul, and does my song inspire. 



SONG. 

WHEN early mora walks forth in sober gray. 
Then to my black-eyed maid I haste away, 
When evening sits beneath her dusky bower 
And gently sighs away the silent hour, 
The village-bell alarms, away I go 
And the vale darkens at my pensive woe. 

To that sweet village where my black-eyed maid 

Doth drop a tear beneath the silent shade, 

1 turn my eyes ; and pensive as I go 

Curse my black stars, and bless my pleasing woe. 



20 POETICAL 

Oft when the summer sleeps among the 
Whispering faint murmurs to the scanty breea 
I walk the village round ; if at her side 
A youth doth walk in stolen joy and pride, 
I curse my stars in bitter grief and woe, 
That made my love so high and me so low. 

should she e'er prove false, his limbs I'd t 
And throw all pity on the burning air ; 
I'd curse bright fortune for my mixed lot, 
And then I'd die in peace, and be forgot. 



TO THE MUS?:S. 

WHETHER on Ida's shady b 
Or in the chambers of the I 
The chambers of the Sun, that now 
From ancient melody have ceased; 

Whether in heaven ye wander fair 
Or the green corners of the earth, 

Or the blue regions of the air. 

Where tlie melodious winds have birthfl 



Whether on crystal rocks ye rave, 
BeneatJi tjie bosom of the sea 

Wandering in many a coral grove, 
Fair Nine, forsaking Poetry ! 



SKETCHES. 

How have you left the ancient love 
That bards of old enjoy 'd in you ! 

■ Fhe langaid strings do scarcely move, 
The sound is forced, the notes are few ! 



GWIN, KING OF NORWAY. 

COME, Kings, and listen to my song : ' 
-When Gwin, the son of Nore, 
Over the nations of the North 
His cruel sceptre bore ; 

The Nobles of the land did feed 

Upon the hungry poor ; 
They tear the poor man's lamb, and drive 

The needy from their door ! 

The land is desolate ; our wives 

And children cry for bread ; 
Arise, and pull the tyrant down, 

Let Gwin be humbled. 



Gordred the giant roused himself 
From sleeping in his cave ; 

He shook the hills, and in the clouds 
The troubletl banners wave. 



POETICAL 

Beneath them roll'ci, like tempests bla 
The numerous sons of blood ; 

Like lions' whelps, roaring abroad, 
Seeking their nightly food. 

Down Bleron's hills they dreadful rush, ' 
Their cry ascends the clouds ; 

The trampling horse and clanging arms 
Like rushing mighty floods ! 

Their wives and children, weeping loud, I 

Follow in wild array. 
Howling like ghosts, furious as wolves 

In the bleak wintry day. 

" Pull down the tyrant to the dust, 

" Let Gwin be humbled," 
They cry, "and let ten thousand lives 

" Pay for the tyrant's head." 

From tower to tower the watchmen cry, 

"0 Gwin, the son ofNore, 
" Arouse thyself! the nations black 

" Like clouds, come rolling o'er ! " 

Gwin rear'd his shield, his palace shake^l 
His chiefs come rushing round; 

Each, like an awful thunder-cloud 
With voice of solemn sound ; 



SKETCHES. 

Like reared stones around a grave 
They stand around the King ; 

Then suddenly each seized his spear, 
And clashing steel does ring. 

The husbandmiffr does leave his plough 
To wade thro' fields of gore ; 

The merchant binds his brows in steel, 
And leaves the trading shore ; 

The shepherd leaves his mellow pipe, 
And sounds the trumpet shrill, 

The workman throws his hammer down 
To heave the bloody bill. 

Like the tall ghost of Barraton 

Who sports in stormy sky, 
Gwin leads his host as black as night 

When pestilence does fly, 

With horses and with chariots — 

And all his spearmen bold 
March to the sound of mournful song, 

Like clouds around him roll'd. 



Gwin lifts his hand — the nations halt ; 

" Prepare for war," he cries — 
Gordred appears !^his frowning btow 

Troubles our northern skies. 



The armies st^jid, like balances 
Held in the Almighty's hand ; — 

"Gwin, thou hast fiU'd thy measure uj 
" Thou'rt swept from out the land." 

And now the raging armies rush'd 

Like warring mighty seas ; 
The heavens are shook with roaring w 

The dust ascends the skies ! 



Earth smokes with blood, and groans and shakes. 

To drink her children's gore, 
A sea of blood ; nor can the eye 

See to the trembling shore ! 

And on the verge of this wild sea 

Famine and death doth cry ; 
The cries of women and of babes 

Over the field doth fly. 

The king is seen raging afar, 

With all his men of might ; 
Like blazing comets scattering death 

Thro' the red feverous night. 

Beneath his arm like sheep they die. 

And groan upon the plain ; 
The battie faints, and bloody men 

Fight upon hills of slain. 



SKETCHES. 21 

Now death is sick, and riven men 

Labour and toil for life ; 
Steed rolls on steed, and shield on shield. 

Sunk in this sea of strife ! 

The god of war is drunk with blood. 

The earth doth faint and fai! ; 
The stench of blood makes sick the heavens, 

Ghosts glut the throat of hell ! 

O what have kings to answer for 

Before that awful throne ! 
When thousand deaths for vengeance cry. 

And ghosts accusing groan ! 

Like blazing comets in the sky 

That shake the stars of light, 
Which drop like fruit unto the earth 

Thro' the fierce burning night ; 

Like these did Gwin and Gordred meet. 

And the first blow decides ; 
Down from the brow unto the breast 

Gordred his head divides ! 

Gwin fell ; the Sons of Norway fled. 

All that remain 'd alive ; 
The rest did fill the vale of death, 

For them the eagles strrre. 



POETICAL 

The river Donnan roll'd their blood 

Into the northern sea ; 
Who moum'd his sons, and overwhelra'd 1 

The pleasant south country. 



AN IMITATION OF SPENSER. 

GOLDEN Apollo, that thro' heaven wide 
Scatter'st the rays of light, and truth Hs 
beams. 
In lucent words my darkling verses dight 

And wash my earthy mind in thy clear streams, 
That wisdom may descend in fairy dreams ; 
All while the jocund hours in thy train 

Scatter their fancies at thy poet's feet ; 
And when thou yield'st to night thy wide 

domain, 
Let rays of truth enlight his sleeping brain. 



For brutish Pan in vain might thee as 

With tinkling sounds to dash thy ner 

Sound vrithout sense ; yet in his rude a 
(For Ignorance is Folly's leasing nurse, 
And love of Folly needs none other's c 



SKETCHES. 27 

Midas the praise hatli gain'd of lengthen'd ears, 
For which himself might deem him ne'er the worse 

To sit in council with his modern peers 

And judge of tinkling rhymes and elegances terse. 

And thou, Mercurius, that with winged bow 
Dost mount aloft into the yielding sky. 

And thro' Heaven's halls thy airy flight dost throw, 
Entering with holy feet to where on high 
Jove weighs the counsel of futurity ; 

Then, laden with eternal fate, dost go 

Down, hke a falling star, from autumn sky. 
And o'er the surface of the silent deep dost fly. 



If thou arrivesC at the sandy shore 

^Vhere nought but envious hissing adders dwell, 
Thy golden rod, thrown on the dusty floor. 

Can charm to harmony with potent spell ; 
Such is sweet Eloquence, that does dispel 
Envy and Hate, that thirst for human gore ; 

And cause in sweet society to dwell 

Vile savage minds that lurk in lonely cell. 

O Mercury, assist my labouring sense 

That round the circle of the world would fly. 

As the wing'd eagle scorns the towery fence 
Of Alpine hills round his high aery, 
And searches through the corners of the sky. 



28 



POETICAL 



b 



Sports in the clouds to hear the thunder's sound 
And see the winged lightnings as they fly ; 

Then, bosom'd in an amber cloud, around 

Plumes his wide wings, and seeks Sol's palace 
high. 



alace | 

i 



And thou, O warrior Maid invincible, 
Arni'd with the terrors of Almighty Ji 

Pallas, Minerva, maiden tenible, 

Lovest thou to walk the peaceful solenm grove. 
In solenui gloom of branches interwove ? 

Or bear'st thy segls o'er the burning field, 

Where, like the sea, the waves of battle move? 

Or have thy soft piteous eyes beheld 

The weary wanderer thro' the desert rove ? 
Or does th' afflicted man thy heavenly bosom 
moveP 



BLIND-MAN'S BUFF. 

WHEN silver snow decks Susan's clothes, 
And jewel hangs at th' shepherd's nose, 
The blushing bank is all my care, 
With hearth so red and walls so fair. 
" Heap the sea-coal, come, heap it high 
" The oaken log lay on the fire : " 
The weU-wash'd stools, a circling row. 
With lad and lass, how fair the show ! 



[ 



SKETCHES. 

The merry can of nut-brown ale. 
The laughing jest, the love-sick tale. 
Till, tired of chat, the game begins. 
The lasses prick the lads with pins ; 
Roger from Dolly twitch'd the stool, 
She falling, kiss'd the ground, poor fool ' 
She blush'd so red, with side-long glance 
At hob-nail Dick, who grieved the chance. 
But now for Blind-man's Buff they call ; 
Of each incumbrance clear the hall — 
Jeimy her silken kerchief folds, 
And blear-eyed Will the black lot holds, 
Now laughing, stops, with " Silence, hush ! " 
And Pe^y Pout gives Sam a push. — 
The Blind-man's arms, extended wide, 
Sam slips between :—" woe betide 
Thee, clumsy Will ! " — but tittering Kate 
Is penn'd up in the comer strait [ 
And now Will's eyes beheld the play, 
He thought his face was t'other way. 
" Now, Kitty, now ; what chance hast thou, 
" Roger so near thee trips, I vow ! " 
She catches him — then Roger ties 
His own head up — but not his eyes ; 
For thro' the slender cloth he sees. 
And tuns at Sam, who slips with ease 
His clumsy hold ; and, dodging round, 
Sukey is tumbled on the ground ! — 
" See what it is to play unfair I 



30 POETICAL 

" Where cheating is, there's mischief tha 

But Roger still pursues the chace,— 

" He sees 1 he sees I " cries softly Grace ; J 

" O Roger, thou, unskill'd in art 

" Must, surer bound, go through thy part N 

Now, Kitty, pert, repeats the rhymes 

And Roger turns him round three times, 

Then pauses ere he starts ; but Dick 

Was mischief-bent upon a trick ; 

Down on his hands and knees he lay 

Directly in the Blind-man's way. 

Then cries out " hem t " Hodge heard, and ran 

With hood-wink'd chance — sure of his man ; 

But down he came. — Alas, how frail 

Our best of hopes, how soon they fail ! 

With crimson drops he stains the ground. 

Confusion startles all around 1 

Poor piteous Dick supports his head. 

And fain would cure the hurt he made ; 

But Kitty hasted with a key 

And down his back they straight convey 

The cold relief — the blood is stay'd 

And Hodge again holds up his head. 

Such are the formnes of the game, 

And those who play should stop the same ] 

By wholesome laws, such as — all those 

Who on the blinded man impose. 

Stand in his stead ; as long agone 

When men were first a nation grown. 



SKETCHES, 31 

Lawless they lived, till wantonness 
And liberty began t* increase, 
And one man lay in another's way ; 
Then laws were made to keep fair play. 




KING EDWARD THE THIRD. 



PERSONS. 

King Edward. 

The Black Prince. 

Queen Philippa. 

Duke of Clarence. 

Sir John Chandos. 

Sir Thomas Dagworth. 

Sir Walter Manny. 

Lord Audley. ' 

Lord Percy. 

Bishop. 

William, Dagworth*s man. 

Peter Blunt, a common soldier. 



KING EDWARD THE THIRD. 



SCENE. The Coast of Frame, King Edward and 
Nobles before it. The Army. 

King. 
THOU to whose fury the nations are 
But as dust I maintain thy servant's 

right 
Without thine aid, the twisted mail 
and spear. 
And forged helm, and shield of seven-times beaten 

brass, 
Are idle trophies of the vanquisher. 
When confiision rages, when the field is in aflame. 
When the cries of blood tear horror from heaven. 
And yelling death runs up and down the ranks, 
Let Liberty, the charter'd right of Englishmen, 
Won by our fathers in many a glorigus field, 
Enerve my soldiers ; let Liberty 
Blaze in each countenance and fire the battle. 
The enemy fight in chains, invisible chains, but 
heavy; 



91 



36 KING EDWARD 

Their minds are fetter'd ; then how can they be 

While, like the mounting flame, 

We spring to battle o'er the floods of death ? 

And these fair youths, the flower of England, 

Ventm-ing their lives in my most righteous causey 
O sheathe their hearts with triple steel, that they 
May emulate their fathers' virtues. 
And thou, my son, be strong ; thou fightest for a 

That death can never ravish from thy brow, 

A crown of glory — but from thy very dust 

Shall beam a radiance, to fire the breasts 

Of youth unborn 1 Our names are written equal 

In fame's wide-trophied hall ; 'tis ours to gild 

The letters, and to make them shine with gold 

That never tarnishes : whether Third Edward, 

Or the Prince of Wales, or Montacute, or Mortimer, 

Or ev'n the least by birth, shall gain the brightest 

fame. 
Is in His hand to whom all men are equal. 
The world of men are like the numerous stars J 
That beam and twinkle in the depth of night,! 
Each clad in glory according to his sphere ; 
But we, that wander from our narive seats, 
And beam forth lustre on a darkling world, 
Grow large as we advance ! and some perhaps 
The most obscure at home, that scarce were seen 
To twinkle in their sphere, may so advance, 
That the astonish'd world, with uptum'd eyes, 



tars_^^H 



THE THIRD. 37 

Regardless of the moon, and those that once were 

bright, 
Stand only for to gaze upon their splendour ! 

\He here knights the Prince ami other 
young Nobles. 

Now let us take a just revenge for those 
Brave Lords, who fell beneath the bloody axe 
At Paris. Thanks, noble Hatcourt, for 'twas 
By your advice we landed here in Brittany, 
A country not yet sown with destruction, 
And where the fiery whirlwind of swift war 
Has not yet swept its desolating wing. — 
Into three parties we divide by day 
And separate march, but join again at night ; 
Each knows his rank, and Heaven marshal all, 

[^Exeunt. 



SCENE. English Court; Lionel, Duke of Clarence, 

Queen Philippa, Lords, Bislwp, &'c. 

Clarence. 

MY Lords, I have by the advice of her 
Whom I am doubly bound to obey, my 
Parent 
And my Sovereign, called you together. 
My task is great, my burden heavier than 
My unfledged years ; 



38 



KING EDWARD 



Yet, with your kind assistance, Lords, I h 

England shall dwell in peace : that while my father 
Toils in his wars, and turns his eyes on this 
His native shore, and sees commerce fly round 
With his white wings, and sees his golden London 
And her silver Thames, throng'd with shining spires 
And corded ships, her merchants buzzing round 
Like summer bees, and all the golden cities 
In his land, overflowing with honey. 
Glory may not be dimm'd with clouds of c: 
Say, Lords, should not our thoughts be 



My lord bishop, you would recommend us agri- 
culture ? 



Bishop. 

Sweet Prince, the arts of peace are great, 

And no less glorious than those of wa 

Perhaps more glorious in the philosophic n 

When I sit at my home, a private mai 

My thoughts are on my gardens and my fields 

How to employ the hand that lacketh bread.. '| 

If Industry is in my diocese 

Religion will flourish ; each man's heart 

Is cultivated and will bring forth fruit ; 

This is my private duty and my pleasure. 

But as I sit in council with my prince, 

My thoughts take in the general good of the whole, 





THE THIRD. 39 

And England is the land favour'd by Commerce ; 
For Commerce, though the child of Agriculture, 
Fosters his parent, who else must sweat and toil 
And gain but scanty fare. Then, my dear Lord, 
Be England's trade our care ; and we, as tradesmen, 
Looking to the gain of this, our native land. 

Clarence. 
O my good lord, 
True wisdom drops like honey from your tongue 
As from a worshipp'd oak I Forgive my lords. 
My talkative youth that speaks not merely what 
My narrow observation has pick'd up, 
But what I have concluded from your lessons : 
Now, by the Queen's advice, I ask your leave 
To dine to-morrow with the Mayor of London : 
If I obtain your leave, I have another boon 
To ask, which is the favour of your company; 
I fear Lord Percy will not give me leave. 

Percy. 
Dear Sir, a prince should always keep his state, 
And grant his favours with a sparing hand, 
Or they are never rightly valued. 
These are my thoughts : yet it were best to go : 
But keep a proper dignity, for now 
You represent the sacred person of 
Your father ; 'tis with princes as the sun ; 



40 KING EDWARD 

If not sometimes o'erclouded, we grow weary"! 
Of his officious glory. 

Clarenxe. 

Then you will give me leave to shine somecii 
My lord ? 



Thou hast a gallant spirit, which I fear 

Will be imposed on by the closer sort I {Aside. 

Clarence. 
Well, I'll endeavour to take 
Lord Percy's advice ; I have been used so much 
To dignity, that I'm sick on't. 

Queen Philippa. 
Fie, fie. Lord Clarence, you proceed not to business, 
But speak of your own pleasures. 
I hope their lordships will excuse your giddiness. 

Clarence. 
My lords, the French have fitted out many 
Small ships of war, that like to ravening wolves, 
Infest our English seas, devouring all 
Our burden'd vessels, spoiling our naval flocks. 
The merchants do complain, and beg our aid. 




The merchants are rich enough 
Can they not help themselves ? 



They can and may ; but how to gain their will 
Requires our countenance and help. 



"When that they find they must, my lord, they will : 
Let ihem but suffer awhile, and you shall see 
They will bestir themselves. 

Bishop. 
Lord Percy cannot mean that we should suffer 
This disgrace ; if so, we are not sovereigns 
Of the sea: our right that Heaven gave 
To England, when at the birth of Nature 
She was seated in the deep, the Ocean ceased 
His mighty roar, and fawning, play'd around 
Her snowy feet, and own'd his awful Queen. 
Lord Percy, if the heart is sick, the head 
Must be aggrieved j if but one member suffer, 
The heart doth fail. You say, my Lord, the 

merchants 
Can, if they will, defend themselves against 
These rovers : this is a noble scheme. 
Worthy the brave Lord Percy, and as worthy 
His generous aid to put it into practice. 



L. 



42 KING EDWARD 

Percy. 
Lord Bishop, what was rash in me, is wise 
In you ; I dare not own the plan, 'Tis not 
Mine. Yet will I, if you please. 
Quickly lo the Lord Mayor, and work him on 
To this most glorious voyage ; on which cast 
ni set my whole estate. 
But we will bring these Gallic rovers under 

Queen Phi lip pa. 
Thanks, brave Lord Percy ; you have the thanks 
Of England's Queen, and will, ere long, of England. 



\xw^^ 



SCENE. At Cressy. Sir Tlwnuis 
Lord Audley meetit^. 



GOOD-MORROW, brave Sir Thomas; 
bright mom 
Smiles on our army, and the gallant sun 
Springs from the hills like a young hero 
Into the battle, shaking his golden locks 
Exviltingly : this is a promising day. 



THE THIRD. 43 

Dag WORTH. 

Why, my Lord Audley, I don't know. 

Give me your hand, and now I'll tell you what 

I think you do not know. Edward's afraid of Philip. 



Ha ! Ha 1 Sir Thomas I you but joke ; 
Did you e'er see him fear? At Blanchetaque 
When almost singly he drove six thousand 
French from the ford, did he fear then ? 

Dacworth. 
Yes, fear ; that made him fight so. 



By the same reason I might say 'tis fear 
That makes you tight. 

Dacworth. 
Mayhap you may ; look upon Edward's face. 
No one can say he fears. But when he turns 
His back, then I will say it to his face ; 
He is afraid ; he makes us all afraid. 
I cannot bear the enemy at my back. 
Now here we are at Creasy ; where to-morrow, 
To-morrow we shall know. I say, Lord Audley, 
That Edward runs away from Philip. 



1 



44 liING EDIVARD 

AUDLEY. 

Perhaps you think the Prince too, is afraid ? 

Dagworih. 
No ; God forbid ! I'm sure he is not. 
He is a young lion. O I have seen him figl 
And give command, and lightning has flash' 
From his eyes across the field : I have seen him 
Shake hands with death, and strike a bargain for 
The enemy ; he has danced in the field 
Of battle, like the youth at morrice-play. 
I'm sure he's not afraid, nor Warwick, nor none 
None of us but me ; and 1 am very much afraid. 

AUDLEY. 

Are you afraid, too. Sir Thomas ? 

I believe that as much as I believe 

The King's afraid; but what are you afraid of ^4 



Of having my back laid open ; we turn 

Our backs to the fire, till we shall bum our sk| 



And this, Sir Thomas, you call fear ? Your fei 
Is of a different kind then from the King's ; 
He fears to turn his face, and you your back. 
I do not think, Sir Thomas, you know what fei 



THE THIRD, 45 

Enter Sir John Chandos, 
Chandos. 

Good-morrow, Generals ; I give you joy ; 
Welcome to the fields of Cressy. Here we stop, 
And wait for Philip. 

Dagworth. 
I hope so. 

AUDLEY. 

There, Sir Thomas ; do you call that fear ? 

Dagworth. 

I don't know; perhaps he takes it by fits. 
Why, noble Chandos, look you here — 
One rotten sheep spoils the whole flock ; 
And if the bell-wether is tainted, I wish 
The Prince may not catch the distemper too. 

Chandos. 

Distemper, Sir Thomas, what distemper ? 
I have not heard. 

Dagworrh. 

I 

Why, Chandos, you are a wise man, 

I know you understand me ; a distemper 

The King caught here in France of running away. 



46 KING EDWARD 

AUDLEY. 

Sir Thomas, you say you have caught it t 

Dagworth. 

And so will the whole anny ; 'tis very catching, 
For when the coward runs, the brave man totters. 
Perhaps the air of the country is the cause. 
I feel it coming upon me, so I strive against it j' 
You yet are whole, but after a few more 
Retreats, we all shall know how to retreat 
Better than fight. — To be plain, I think retreating 
Too often, takes away a soldier's courage. 

Chandos . 
Here comes the King himself 

thoughts 
Plainly, Sir Thomas. 



I've told him befoi 
Makes him deaf. 



Dagworth. 

;, but his disorder 



Enter King Edward and Black Ptitue. 

King. 

Good- moirow, Generals; when English courage fl 
Down goes our right to France. 





THE THIRD. 

But we are conquerors everywhere ; nothing 

Can stand our soldiers ; each man is worthy 

Of a triumph. Snch an army of heroes 

Ne'er shouted to the Heavens, nor shook the field. 

Edward, my son, thou art 

Most happy, having such command : the man 

Were base who were not fired to deeds 

Above heroic, having such examples. 

Prince. 
Sire, with respect and deference I look 
Upon such noble souls, and wish myself 
Worthy the high command that Heaven and you 
Have given rae. When I have seen the field glow, 
And in each countenance the soul of war 
Curb'd by the manliest reason, I have been wing'd 
With certain victory ; and 'tis my boast, 
And shall be still my glory. I was inspired 
By these brave troops. 

Dag WORTH. 
Your Grace had better make them 



Sir Thomas Dagworth, you must have your joke. 
And shall, while you can hght as you did at 
The Ford. 



43 KING EDWARD 

Dagworth. 

I liave a small petition to your Majesty. 

King. 
What can Sir Thomas Dagworth ask 
That Edward can refuse ? 

Dagworth. 
I hope your Majesty cannot refuse so great 
A trifle ; I've gilt your cause mlh my best blot 
And would again, were I not forbid 
By him whom I am bound to obey : my handi 
Are tied up, my courage shrunk and wither'd, I 
My sinews slacken'd, and my voice scarce hes 
Therefore I beg I may return to England. 

King, 

I know not what you could have ask'd, Sir Thomas, 
That I would not have sooner parted with 
Than such a soldier as you have been, and ,su^^ 

a friend : 
Nay, I will know the most remote particulars. J 
Of this your strange petition ; that, if I can, 
I still may keep you here. 

Dagworth. 
Here on the fields of Cressy we are settled 
Till Philip springs the timorous covey again. 



THE THIRD. « 

The wolf is hunted down by causeless fear; 
The lioD flees, and fear usurps his heart 
Stajtled, astonish'd at the clamorous cockj 
The Eagle, that doth gaze upon the sun. 
Fears the small fire that plays about the fen; 
li, at this moment of their idle fear, 
The dog doth seize the wolf, the forester the lion, 
The negro in the crevice of the rock 
Doth seize the soaring eagle; undone by flight. 
They tame submit : such the effect flight has 
On noble souls. Now hear its opposite i 
The timorous stag starts from the thicket wild. 
The fearful crane springs from the splashy fen. 
The shining snake glides o'er the bending grass, 
The stag turns head, and bays the crying hounds ; 
The crane o'ertaken fighteth with the hawk; 
The snake doth turn, and bite the padding foot 
And if your Majesty's afraid of Philip, 
You are more like a lion than a crane ; 
Therefore I beg I may return to England. 

King. 
Sir Thomas, now I understand your mirth, 
Which often plays with wisdom for its pastime, 
And brings good counsel from the breast of laughter 
I hope you'll stay and see us fight this battle 
And reap rich harvest in the fields of Cressy ; 
Then go to England, tell them how we fight, 
And set all hearts on fire to be with us. 



so KING EDWARD 

Philip is plumed, and thinks we flee from hin 
Else he would never dare to attack us. 
Now the quarry's set I and Death doth spoitfl 
In the bright sunshine of this fatal day, 

Dagworth. 
Now my heart dances and I am as light 
As the young bridegroom going to be ma 
Now must I to my soldiers, get them ready, 
Furbish our armours bright, new plume our Y 
And we will sing like the young housewives busi^ 
In the dairy; my feet are wing'd, but not 
For flight, an please your grace. 

King. 
If all my soldiers are as pleased as you, 
'Twili be a gallant thing to fight or die ; 
Then I can never be afraid of Philip. 

Dagworth. 
A raw-boned fellow t'other day pass'd by raeJ 
I told him to put off his hungry looks- 
He answer'd me, " I hunger for another battl 
I saw a little Welshman with a fiery face ; 
I told him he bok'd like a candle half 
Burn'd out ; he answer'd, he was "pig enougbB 
'■ To light another patlle." I^ast night, bene* 
The moon I walk'd abroad, when aJl had pitd 



THE THIRD. 51 

Their tents, and ail were still ; 
I heard a blooming youth singing a song 
He had composed, and at each pause he wiped 
His dropping eyes. The ditty was, " if he 
" Retum'd victorious, he should wed a maiden 
" Fairer than snow, and rich as midsummer." 
Another wept, and wish'd health to his father. 
I chid them both, but gave them noble hopes. 
These are the muids that glory in the battle, 
And leap and dance to hear the tnimpet sound. 

King. 
Sir Thomas Dagworth, be thou near our person ; 
Thy heart is richer than the vales of France : 
I will not part with such a man as thee. 
If Philip came arm'd in the ribs of death, 
And shook his mortal dart against my head, 
Thou'dst laugh his fiiry into nerveless shame ! 
Go now, for thou art suited lo the work. 
Throughout the camp ; inflame the timorous, 
Blow up the sluggish into ardour, and 
Confirm the strong with strength, the weak inspire, 
And wing their brows with hope and expectation : 
Then to our lent return, and meet to council. 
\ExU L 

Chandos. 
That man's a hero in his closet, and more 
A hero to the servants of his house 



53 KING EDWARD 

Than tp the gaping world ; he carries windows 
In that enlarged breast of his, that all 
May see what's done within. 

Prince. 

He is a genuine Englishman, ray Chandos, 
And hath the spirit of Liberty within him. 
Forgive my prejudice, Sir John; I think 
My Englishmen the bravest people on 
The face of the earth. 

Chandos. 
Courage, my Lord, proceeds from self-depend em 
Teach man to think he's a free agent, 
Give but a slave his liberty, he'll shake 
Off sloth, and build himself a hut, and hedge 
A spot of ground; this he'll defend; 'tis his 
By right of nature: thus set in action, 
He will still move onward to plan conveniences, 
Till glory fires his breast to enlarge his castle. 
While the poor slave drudges all day, in hope 
To rest at night. 

King. 

Liberty, how glorious art thou ! 

1 see thee hovering o'er my army, with 
Thy wide-stretch'd plumes; I see thee 
Lead them on to battle ; 



\ 



THE THIRD. 53 

I see thee blow thy golden trumpet while 

Thy sons shout the strong shout of victory 1 

O noble Chandos, think thyself a gardener, 

My son a vine, which I commit unto 

Thy care ; prune all extravagant slioots, and guide 

Th' ambitious tendrils in the path of wisdom ; 

Water him with thy advice, and Heaven 

Rain freshening dew upon his branches. And, 

O Edward, my dear son I learn to think lowly of 

Thyself as we may all each prefer other — 

'Tis the best policy, and 'tis our duty. 

yExii King Edward. 

Prince. 
And may our duly, Chandos, be our pleasure. — 
Now we are alone, Sir John, I will unburden 
And breathe my hopes into the burning air, 
Where thousand deaths are posting up and down, 
Commission'd to this fatal field of Cressy. 
Methinks I see them arm my gallant soldiers, 
And gird the sword upon each thigh, and fit 
Each shining helm, and string each stubborn bow, 
And dance to the neighing of our steeds. 
Methinks the shout begins, the battle bums; 
Methinks I see them perch on English crests, 
And roar the wild Bame of fierce war upon 
The thronged enemy ! In truth, I am too full; 
It is my sin to love the noise of war. 



54 KING EDWARD 

Chandos, ihou seest my weakness ; strong nature 

Will bend or break us : my blood, like a springtide, 

Does rise so high to overflow all bounds 

Of moderation ; while Reason, in her frai! bark, 

Can see no shore or bound for vast ambition. 

Come, take the helm, my Chandos, 

That my full-blown sails overset me not 

In the wild tempest. Condemn my ventiB 

That plays with danger, as the innocent child, \ 
Unthinking, plays upon the viper's den : 
I am a coward in my reason, Chandos. 

Chandos. 
Vou are a man, my prince, and a brave mar 
If I can judge of actions ; but your heat 
Is the effect of youth, and want of use : 
Use makes the armed field and noisy war 
Pass over as a summer cloud, unregarded, 
Or but expected as a thing of course. 
Age is contemplative ; each rolling year 
Brings forth fruit to the mind's treasure-house; j 
While vacant youth doth crave and seek about \ 
Within itself, and findeth discontent. 
Then, tired of thought, impatient takes the wing, 
Seizes the fruits of time, attacks experience. 
Roams round vast Nature's forest, where no bounds 
Are set, the swiftest may have room, the strongest 
Find prey .: till tired at length, sated and tired 



THE THIRD, 55 

With the changing sameness, old variety, 
We sit us down, and view our former joys 
With distaste and dislike. 

Prince. 

Then if we must tug for experience 
Let us not fear to beat round Nature's wilds 
And rouse the strongest prey : then if we fall, 
We fall with glory. I know the wolf 
Is dangerous to fight, not good for food. 
Nor is the hide a comely vestment ; so 
We have our battle for our pains. I know 
That youth has need of age to point fit prey. 
And oft the stander-by shall steal the fruit 
Of the other's labour. This is philosophy ; 
These are the tricks of the world ; but the pure 

soul 
Shall mount on native wings, disdaining little sport, 
And cut a path into the heaven of glory, 
Leaving a track of light for men to wonder at. 
I'm glad my father does not hear me talk ; 
You can find friendly excuses for me, Chandos. 
But do you not think. Sir John, that if it please 
The Almighty to stretch out my span of life, 
I shall with pleasure view a glorious action, 
Which my youth mastered ? 

Chandos. 
Considerate age, my Lord, views motives. 



S6 KING EDWARD 

And not acts; when neither warbling voice 

Nor trilling pipe is heard, nor pleasure sits ' 

With trembling age, the voice of Conscience then, 

Sweeter than music in a summer's eve, 

Shall warble round the snowy head, and keep 

Sweet symphony lo feather'd angels, sitting 

As guardians round your chair ; then shall the 

pulse 
Beat slow, and taste, and touch, and sight, and 

sound, and smell, 
That sing and dance round Reason's fine-wrought 

Shall flee away, and leave him all forlorn ; 
Yet not forlorn if Conscience is his friend. 

\Extunl. 



SCENE. In Sir Thomas Bagworih's Tent. 
Dagwortk and WilUant his man. 



B 



RING hither my armour, William; 
Ambition is the growth of every climes J 



THE THIRD, S7 

Dagworth. 
Ay, it grows most in lands most cultivated. 

William. 

Then it grows most in France ; the vines here 
Are finer than any we have in England. 

Dagworth. 
Ay, but the oaks are not. 

William. 

What is the tree you mentioned ? I don't think 
I ever saw it. 

Dagworth. 
Ambition. 

William. 
Is it a little creeping root that grows in ditches ? 

Dagworth. 

Thou dost not understand me, William. 
It is a root that grows in every breast ; 
Ambition is the desire or passion that one man 
Has to get before another, in any pursuit after 

glory ; 
But I don't think you have any of it. 



58 • KING EDWARD 

William. 

Yes, I have ; I have a great ambition to know 
everything, sir. 

Dagworth. 

But when our first ideas are wrong, what follows 
must all be wrong, of course; *tis best to know 
a little, and to know that little aright 

William. 

Then, sir, I should be glad to know if it was 
not ambition that brought over our king to France 
to fight for his right ? 

Dagworth. 

Though the knowledge of that will not profit 
thee much, yet I will tell you tliat it was ambition. 

William. 

Then if ambition is a sin, we are all guilty in 
coming ^ith him, and in fighting for him. 

Dagworth. 

Now, William, thou dost thrust the question 
home \ but I must tell you that guilt being an act 
of the mind, none are guilty but those whose minds 
are prompted by that same ambition. 



THE THIRD, 59 

William. 

Now, I always thought that a man might be 
guilty of doing wrong without knowing it was 
wrong. 

Dagworth. 

Thou art a natural philosopher, and knowest 
truth by instinct ; while reason runs aground, as 
we have run our argument. Only remember, 
William, all have it in their power to know the 
motives of their own actions, and 'tis a sin to act 
without some reason. 

William. 

And whoever acts without reason may do a great 
deal of harm without knowing it. 

Dagworth. 
Thou art an endless moralist. 

William. 

Now there's a story come into my head, that 1 
will tell your honour, if you'll give me leave. 

Dagworth. 

No, William, save it till another time ; this is no 
time for story-telling ; but here comes one who is 
as entertaining as a good story. 



KING EDWARD 



Enter Peter Blunt. 



Peter. 

Vender's a musician going to play before the 
King ; it's a new song about the French and 
English, and the Prince has made the minstrel a 
squire, and given him I don't know what, and I 
can't tell whether he don't mention us all one by 
one ; and he is to write another about all us that 
are to die, tliat we may be remembered in Old 
England, for all our blood and bones are in France; 
and a great deal more that we shall all hear by 
and by ; and I came to tell your honour, because 
you love to hear war-songs. 

Dag WORTH. 
And who is this minstrel, Peter, dost know? 



Peter. 

ay, I forgot to tell that ; he has got the same 
name as Sir John Chandos, that the Prince is always 
with — the wise man thai knows us all as well as 
your honour, only ain't so good-natured. 

Dag WORTH. 

1 thank you, Peter, for your information, but not 1 
for your compliment, which is not true : there's as 



THE THIRD, 6i 

much difference between him and me as between 
glittering sand and fruitful mould ; or shining glass 
and a wrought diamond, set in rich gold, and 
fitted to the finger of an Emperor; such is that 
worthy Chandos. 

Peter. 

I know your honour does not think anything of 
yourself, but everybody else does. 

Dagworth. 

Go, Peter, get you gone; flattery is delicious, 

even firom the lips of a babbler. 

\^Exit Peter, 

William. 

I never flatter your honour. 

Dagworth. 
I don't know that 

William. 

Why you know, sir, when we were in England, 
at the tournament at Windsor, and the Earl of 
Warwick was tumbled over, you asked me if he 
did not look well when he fell ? and I said no, he 
looked very foolish ; and you was very angry with 
me for not flattering you. 



^2 KING EDWARD 

Dagworth. 

You mean that I was angry with you for not 
flattering the Earl of Warwick. 

\Exeunt. 



SCENE. Sir Thomas DagwortKs Tent; Sir 
Thomas Dagworth. To him enter Sir Walter 
Manny, 

Sir Walter. 

SIR THOMAS DAGWORTH, I have been 
weeping 
Over the men that are to die to-day. 

Dagworth, 
Why, brave Sir Walter, you or I may fall. 

Sir Walter. 

I know this breathing flesh must lie and rot, 
Covered with silence and forgetfulness ; 
Death roams in cities* smoke, and in still night, 
When men sleep in their beds, walketh about ! 
How many in walled cities lie and groan, 
Turning themselves upon their beds. 



THE THIRD. 6 

Talking with death, answering his hard demands ! 
How many walk in darkness, terrors are round 
The curtains of their beds, destruction is 
Ready at the door ! How many sleep 
In earth, cover'd with stones and deathy dust, 
Resting in quietness, whose spirits walk 
Upon the clouds of heaven, to die no more ! 
Yet death is terrible, tho' borne on angels' wings. 
How terrible then is the field of death, 
Where he doth rend the vault of heaven, 
And shake the gates of hell ! 
O Dagworth, France is sick; the very sky, 
Tho' sunshine light it, seems to me as pale 
As the pale fainting man on his death-bed. 
Whose face is shewn by light of sickly taper. 
It makes me sad and sick at very heart; 
Thousands must fall to-day. 

Dagworth. 

Thousands of souls must leave this prison-house, 
To be e.talted to those heavenly fields, 
Where songs of triumph, palms of victory, 
Where peace, and joy, and love, and calm content, 
Sit singing in the azure clouds, and strew 
Flowers of heaven's growth over the banquet-table. 
Bind ardent hope upon your feet like shoes, 
Put on the robe of preparation, 
The table is prepared in shining heaven. 



64 KING EDWARD 

The flowers of immortality are blown ; 

Lei those tbat fight fight in good stedfastnesi 

And those that fall shall rise in victory. 

Sir Walter. 
I've often seen the burning field of war. 
And often heard the dismal clang of arms; ' 
But neverj till this fatal day of Cressy, 
Has my soul fainted with these views of dea 
I seem to be in one great charnel-house. 
And seem to scent the rotten carcases ; 
I seem to hear the dismal yells of death. 
While the black gore drops from his horrid jH 
Yet I not fear the monster in his pride. — 
But oh 1 the souls that are to die to-day I 

Dag WORTH. 
Stop, brave Sir Walter ; let me drop a tear, 
Then let the clarion of war begin ; 
I'H fight and weep, 'tis in my country's causey] 
I'll weep and shout for glorious liberty. 
Grim war shall laugh and shout, decked in ti 
And blood shall flow like streams across ( 

meadows, 

That murmur down their pebbly channels, i 
Spend their sweet lives to do their country sa 
Then shall England's verdure shoot, her I 

shall smile, 



THE THIRD. 65 

Her ships shall sing across the foaming sea, 
Her mariners shall use the flute and viol. 
And rattling guns, and black and dreary •war. 
Shall be no more. 

Sir Walter. 

Well, let the trumpet sound, and the drum beat ; 
Let war stain the blue heavens with bloody ban- 
ners; 
I'll draw my sword, nor ever sheathe it up 
Till England blow the trump of victory. 
Or I lay stretch'd upon the field of death ! 

\Exeuni. 



SCENE. In the Camp, Several of the Warriors 
met at the King^s Tent with a Minstrel, who sings 
the following Song: 

OSONS of Trojan Brutus, clothed in war, 
Whose voices are the thunder of the field. 
Rolling dark clouds o*er France, muffling the sun 
In sickly darkness like a dim eclipse. 
Threatening as the red brow of storms, as fire 
Burning up nations in your wrath and fury ! 

F 



66 KING EDWARD 

Your ancestors came from the fires of Troy 
(Like lions roused by lightning from their dens, 
Whose eyes do glare against the stormy fires), 
Heated with war, fiU'd with the blood of Greeks, 
With helmets hewn, and shields cover'd with gore, 
In navies black, broken with wind and tide ! 



They landed in firm array upon the rocks 

Of Albion ; they kiss'd the rocky shore ; 

"Be thou our mother and our nurse," they said ; 

" Oitr children's mother, and thou shalt be our 

grave, 
"The sepulchre of ancient Troy, from whence 
"Shall rise cities, and thrones, and arms, andawfiil 

powers." 

Our fathers swarm from the ships. Giant voices 
Are heard from the hills, the enormous sons 
Of Ocean run from rocks and caves ; wild men. 
Naked and roaring like lions, hurling rocks. 
And wielding knotty clubs, like oaks entangled 
Thick as a forest, ready for the ase. 

Our fathers move in firm array to battie, 
The savage monsters rush like roaring fire ; 
Like as a forest roars with crackling flames . 
When the red lightning, borne by furious sto 
Lights on some woody shore ; the parched heavens 
Rain fire into the molten raging sea ! 



THE THIRD. 

The smoking trees are strewn upon the shore, 
Spoil'd of their verdure 1 O how oft have they 
Defied the storm that howled o'er their heads ! 
Our fathers, sweating, lean on their spears, and 

view 
The mighty dead ; giant bodies, streaming blood, 
Dread visages, frowning in silent death. 

Then Brutus spoke, inspired ; our fathers sit 

Attentive on the melancholy shore i 

Hear ye the voice of Brutus — " The flowing waves 

" Of time come rolling o'er my breast," he said ; 

" And my heart labours with futurity ; 

" Our sons shall rule the empire of the sea. 

" Their mighty wings shall stretch from east to west, 
" Their nest is in the sea ; but they shal! roam 
" Like eagles for the prey; nor shall the young 
"Crave or be heard ; for plenty shal! bring forth, 
" Cities shall sing, and vales in rich array 
" Shall laugh, whose fruitful laps bend down with 

fulness. 
" Our sons shall rise from thrones in joy, 
" Each one buckling on his armour ; Morning 
" Shall be prevented by their swords gleaming, 
" And Evening hear their song of victory ! 
" Their towers shall be built upon the rocks, 
"Their daughters shall sing, surrounded with 

shining spears \ 



68 



KING EDWARD 



" Liberty shall stand upon the cliffs of Albion, 
" Casting her blue eyes over the green ocean ; 
" Or, towering, stand upon the roaring waves, 
" Stretching her mighty spear o*er distant lands ; 
" While, with her eagle wings, she covereth 
" Fair Albion's shore, and all her families." 




THE FOURTH. 



PROLOGUE 



OFOR a voice like thunder, and a tongue 
To drown the throat of war! When the 
senses 
Are shaken, and the soul is driven to madness, 
WTio can stand ? When the soub of the oppress'd 
Fight in the troubled air that rages, who can stand ? 
When the whirlwind of fury comes from the 
Throne of God, when the frowns of His counte- 
nance 
Drive the nations together, who can stand? 
When Sin claps his broad wings over the battle, 
And sails rejoicing in the flood of death ; 
When souls are torn to everlasting fire, 
And fiends of hell rejoice upon the slain, 
O who can stand ? O who hath caused this ? 
O who can answer at the throne of God ? 
The Kings and Nobles of the land have done it ! 
Hear it not. Heaven, thy ministers have done it ! 



PROLOGUE TO 



PROLOGUE TO KING JOHN. 

JUSTICE hath heaved a sword to plunge in 
Albion's breast ; for Albion's sins are crimson- 
dyed, and the red scourge follows her desolate 
sons. Then Patriot rose ; full oft did Patriot rise, 
when Tyranny hath stained fair Albion's breast 
with her own children's gore. Round bis majestic 
feet deep thunders roll ; each heart docs tremble, 
and each knee grows slack. The stars of heaven 
tremble; the roaring voice of war, the trumpet, 
calls to battle ! Brother in brother's blood must 
bathe, rivers of death ! O land most hapless ! O 
beauteous island, how forsaken 1 Weep from thy 
silver fountains, weep from thy gentle rivers ! The 
angel of the island weeps ! Thy widowed virgins 
weep beneath thy shades 1 Thy aged fathers gird 
themselves for war 1 The sucking infant lives to 
die in battle ; the weeping mother feeds him for 
the slaughter ! The husbandman doth leave his 
bending harvest I Blood cries afar 1 The land 
doth sow itself! The glittering youth of courts 
must gleam in aims ! The aged senalors their 
ancient swords assume ! The trembling sinews of 



KING JOHN. 



71 



old age must work the work of death against their 
progeny; for Tyranny hath stretched his purple 
axm, and " Blood," he cries : the chariots and 
the horses, the noise of shout, and dreadful thunder 
of the battle heard afar ! Beware, O proud ! thou 
shalt be humbled; thy cruel brow, thine iron heart is 
smitten, though lingering Fate is slow. O yet may 
Albion smile again, and stretch her peaceful arms , 
and raise her golden head, exultingly ! Her citi- 
zens shall throng about her gates, her mariners 
shall sing upon the sea, and myriads shall to her 
temples crowd ! Her sons shall joy as in the 
morning! Her daughters sing as to the rising 
year ! 




A WAR SONG^ 



PREPARE, prepare the iron helm of war, 
Tiring forth the lots, cast in the spacious orb ;. 
■J'he Angel of Fate turns them with mighty hands, 
And casts them out upon the darken'd earth ! 
Prepare, prepare. 

Prepare your hearts for Death's cold hand ! prepa 
Your souls for flight, your bodies for the c 
Prepare your arms for glorious victory ! 
Prepare your eyes to meet a holy God ! 

Prepare, prepare. 
Whose fatal scroll is that ? Methinks 'tis n 
Why sinks my heart, why faltereth my longt 
Had I three lives, I'd die in such a cause, 
And rise, with ghosts, over the well-fought fi 

Prepare, prepare. 
The arrows of Almighty God are drawn ! 
Angels of Death stand in the lowering heave 
Thousands of souls must seek the realms o 
And walk together on the clouds of heaven t 

Prepare, prepare. 



SKETCHES. 73 

Soldiers, prepare 1 Our cause is Heaven's cause ; 
Soldiers, prepare ! Be worthy of out cause : 
Prepare to meet our fathers in the sky : 
Prepare, O troops that are to fall to-day ! 
Prepare, prepare. 

Alfred shall smile, and make his harp rejoice ; 
The Norman William and the learned Clerk, 
And Lion-Heart, and black-brow'd Edward with 
His loyal queen shall rise, and welcome us I 
Prepare, prepare. 



THE COUCH OF DEATH. 

THE veiled Evening walked solitary down the 
western hills, and Silence reposed in the 
valley ; the birds of day were heard in their nests, 
rustling in brakes and thickets ; and the owl and 
bat flew round the darkening trees : all is silent 
when Nature takes her repose. — In former times, 
on such an evening, when the cold clay breathed 
with life, and our ancestors, who now sleep in 
their graves, walked on the steadfast globe, the 
remains of a family of the tribes of Earth, a mother 
and a sister were gathered to the sick bed of a 
youth. Sorrow linked them together ; leaning on 



¥ 



74 POETICAL 

one another's necks altemately^lilce lilies, drop- 
ping tears in each other's bosom, they stood by the 
bed like reeds bending over a lake, when the even- 
ing drops trickle down. His voice was low as the 
whisperings of the woods when the wind is asleep, 
and the visions of Heaven unfold their visitation. 
" Parting is hard, and death is terrible ; I seem to 
"walk through a deep valley, far &om the light of 
" day, alone and comfortless ! The damps of death 
" fall thick upon me ! Horrors stare me in the face ' 
" I look behind, there is no retiiming ; Death follows 
"after me; I walk in regions of Death, where no 
"tree is; without a lantern to direct my steps, 
" without a staff to support me." — Thus he laments 
through the still evening, till the curtains of dark- 
ness were drawn ! Like the sound of a broken 
pipe, the aged woman raised her voice. " my 
" son, my son, 1 know but little of the path thou 
"goest! But lo, there is a God, who made the 
" world ; stretch out thy hand to Him." The 
youth replied, like a voice heard from a sepulchre, 
" My hand is feeble, how should I stretch it 
" out? My ways are sinful, how should I raise mine 
"eyes? My voice hath used deceit, how should I 
" call on Him who is Truth ? My breath is loath- 
"some, how should He not be offended? If I lay 
" my face in the dust, the grave opens its mouth 
" for me ; if 1 lift up my head, sin covers me as a 
" cloak ! O my dear friends, pray ye for me 1 



SKETCHES. 7i 

" Stretch forth your hands, that my helper may 
"come I Through the void space I walSc between 
" the sinful world and eternity I Beneath rae burns 
"eternal fire t for a hand to pluck me forth !" 
As the voice of an omen heard in the silent valley, 
when the few inhabitants cling trembling together ; 
as the voice of the Angel of Death, when the thin 
beams of the moon give a faint light, such was this 
young man's voice to his friends ! Like the bub- 
bling waters of the brook in the dead of night, the 
aged woman raised her cry, and said, " O voice, 
"that dwellcst in my breast, can I not cry, and 
"lifl my eyes to heaven? Thinking of this, my 
" spirit is turned within me into confusion ! O my 
"child, my child 1 is thy breath infected? so is 
" mine. As the deer wounded, by the brooks of 
" water, so the arrows of sin stick in ray flesh ; the 
"poison hath entered into my marrow." — Like - 
rolling waves upon a desert shore, sighs succeeded 
sighs ; they covered their faces, and wept ! The 
youth lay silent — his mother's arm was under his 
head ; he was like a cloud tossed by the winds, till 
tiie sun shine, and the drops of rain glisten, the 
yellow harvest breathes, and the thankful eyes of 
the villagers are turned up in smiles. The traveller 
that hath taken shelter under an oak, eyes the 
distant country with joy ! Such smiles were seen 
upon the face of the youth 1 a visionary hand 
wiped away his tears, and a ray of light beamed 



76 - 



POETICAL 



around his head ! All was still. The moon h 
not out her lamp, and the stars faintly glimmered in 
the summer sky; the breath of night slept among 
the leaves of the forest ; the bosom of the lofty 
hill drank in the silent dew, while on his majestic 
brow the voice of angels is heard, and stringed 
sounds ride upon the wings of night. The sorrow- 
ful pair lift up their heads, hovering angels are 
around them, voices of comfort are heard over the 
Couch of Death, and the youth breathes out Ms 
soul with joy into eternity. ^JH 



CONTEMPLATION. 

WHO is this, that with unerring step dares 
tempt the wilds, where only Nature's foot 
hath trod ? Tis Contemplation, daughter of the 
grey Morning ! Majestical she steppeth, and with 
her pure quill on every flower writeth Wisdom's 
name : now lowly bending, whispers in mine ear, 
" O man, how great, how little thou ! man, slave 
"of each moment, lord of eternity 1 seesl thou 
" where Mirth sits on the painted cheek ? doth it 
" not seem ashamed of such a place, and grow im- 
" moderate to brave it out ? O what an humble 
"garb true Joy puts on! Those who want 
" Happiness must stoop to find it ; it is a flower 
"that grows in every vale. Vain foolish man. 



SKETCHES. 77 

" thai roams on lofty rocks, where, 'cause his 
" garments are swoln with wind, he fancies lie is 
" grown into a giant ! Lo, then, Humility, take it, 
" and wear it in thine heart ; lord of thyself, thou 
" then art lord of all. Clamour brawls along the 
•' streets, and destruction hovers in the city's smoke; 
"but on these plains, and in these silent woods, true 
" joys descend : here build thy neat ; here fix thy 
" staff; delights blossom around ; numberless beau- 
" ties blow ; the green grass springs in joy, and the 
" nimble air kisses the leaves ; the brook stretches 
'• its arms along the velvet meadow, its silver in- 
" habitants sport and play. The youthful sun joys 
" like a hunter roused to the chase ; he rushes up the 
" sky, and lays hold on the immortal coursers of 
"day; the sky glitters with the jingling trappings! 
" Like a triumph, season follows season, while the 
" airy music fills the world with joyful sounds." I 
answered, "Heavenly goddess! I am wrapped 
" in mortality, niy flesh is a prison, my bones the 
"bars of death, Misery builds over our cottage 
" roofs, and Discontent runs like a brook. Even 
" in childhood, sorrow slept with me in my cradle ; 
" he followed me up and down in the house when 
" I grew up ; he was my school-fellow ; thus he 
" was in my steps and in my play, till he became 
"to me as my brother. I walked through dreary 
" places with hira, and in church-yards ; and oft I 
" found myself sitting by Sorrow on a tomb-stone !" 



POETICAL 



SAMSON. 

SAMSON, the strongest of the children of men, 
I sing ; how he was foiled by woman's arts, 
by 3 false wife brought to the gates of death 1 O 
Truth, that shinest with propitious beams, turning 
our earthly night to heavenly day, from presence 
of the Almighty Father ! thou visitest our darkling 
world with blessed feet, bringing good news of Sin 
and Death destroyed I O white-robed Angel, guide 
my timorous hand to write as on a lofty rock with 
iron pen the words of truth, that all who pass may 
read.^Now Night, noon-tide of damned spirits, 
over the silent earth spreads her pavilion, while in 
dark council sat Philistia's lords ; and where 
strength failed, black thoughts in ambush lay. 
Their helmed youth and aged warriors in dust 
together lie, and Desolation spreads his wing? over 
the land of Palestine : from side to side the land 
groans, her prowess lost, and seeks to hide her 
bruised head under the mists of night, breeding 
dark plots. For Dalila's fair arts have long been 
tried in vain ; in vain she wept in many a trea- 
cherous tear. "Go on, fair traitress; do thy 
" guileful work j ere once again the changing 
•' moon her circuit hath performed, thou shalt ovcr- 
"come, and conquer him by force unconquerable, 
" and wrest his secret &om him. Call thine alluring 



SKETCHES. 79 

"arts and honest-seeming brow, the holy kiss of 
" love and the transparent tear ; put on fair linen, 
" that with the lily vies, pnrple and silver ; neglect 
"thy hair, to seem more lovely in thy loose attirej 
" put on thy country's pride, deceit ; and eyes of 
"love decked in mild sorrow, and sell thy lord for 
"gold." — -For now, upon her sumptuous couch 
reclined, in gorgeous pride, she still entreats, and 
still she grasps his vigorous knees with her fair 
arms. "Thou lovest me not! thou'rt war, thou 
"art not love 1 O foolish Dalila ! O weak woman 1 
"it is death clothed in flesh thou lovest, and thou 
" hast been encircled in his arms 1 Alas, my lord, 
" what am I calling thee ? Thou art my God ! 
"To thee I pour my tears for sacrifice morning 
"and evening r my days are covered with sorrow ! 
" shut up, darkened ; by night I am deceived ! 
" Who says that thou wast bom of mortal kind ? 
" Destruction was thy father, a lioness suckled 
"thee, thy young hands tore human limbs, and 
" gorged human flesh ! Come hither, Death ; art 
" thou not Samson's servant ? 'Tis Dalila that 
" calls ; thy master's wife ; no, stay, and let thy 
" master do the deed : one blow of that strong 
"arm would ease my pain; then I should lay at 
"quiet and have rest. Pity forsook thee at thy 
"birth! O Dagon furious, and all ye gods of 
" Palestine, withdraw your hand ! I am but a 
"weak woman. Alas, I am wedded to your 



8o POETICAL 

" enemy ! 1 will go mad, and tear my c 
■'hair; I'll run about, and pierce the ears o' th' ' 
"gods! O Samson, hold me not; thou lovest 
" me not ! Look not upon me with those deathful 
" eyes ! Thou wouldst my death, and death 
"approaches fast,"— Thus, in false tears, she 
bathed his feet, and thus she day by day oppressed 
his soul : he seemed a mountain, his brow among 
the clouds; she seemed a silver stream, his feet 
embracing. Dark thoughts rolled to and fro in 
his mind, like thunder-clouds troubling the sky ; 
his visage was troubled ; his soul was distressed. 
" Though I should tell her all my heart, what can 
" I fear ? Though I should tell this secret of my 
"birth, the utmost may be warded off as well when 
"told as now." She saw him moved, and thus 
resumes her wiles : "Samson, I'm thine; do with 
" me what thou wilt ; my friends are enemies ; my 
"life is death; I am a traitor to my nation, and 
" despised ; my Joy is given into the hands of him 
"who hates me, using deceit to the wife of his 
"bosom. Thrice hast thou mocked me and grieved 
"my souL Didst thou not tell me with green i 
"withs to bind thy nervous arms, and after thai. 
" when I had found thy falsehood, with new ropes ' 
"to bind thee fast? I knew thou didst but mock 
" me. Alas, when in thy sleep I bound thee with 
"them to try thy truth, I cried. The Philistines be 
" upon thee, Samson 1 Then did Suspicio 



SKETCHES. 



8r 



" thee ; how didst thou rend the feeble ties ! Thou 
"fearest nought, what shouldst thou fear? Thy 
" power is more than mortal, none can hurt thee ; 
"thy bones are brass, thy sinews are iron ! Ten 
" thousand spears are like the summer grass ; an 
"army of mighty men are as flocks in the valleys : 
"what canst thou fear? 1 drink my tears like 
"water; I live upon sorrow! O worse than wolves 
"and tigers, what canst thou give when such a 
" trifle is denied me? But, oh ! at last thou raockest 
"me, to shame myover-fond inquiry! Thou Coldest 
"me to weave thee to the beam by thy strong 
"hair; I did even that to try thy truth : but when 
"I cried. The Philistines be upon tbee I then didst 
" thou leave me to bewail that Samson loved me 
"not," He sat, and inward grieved, he saw and 
loved the beauteous suppliant, nor could conceal 
aught that might appease her; then, leaning on 
her bosom, thus he spoke: "Hear, O Dalila ! 
"doubt no more of Samson's love; for that fair 
"breast was made the ivory palace of my inmost 
"heart, where it shall lie a£ rest; for sorrow is the 
" lot of all of woman born : for care was I brought 
"forth, and labour is my lot : nor matchless might, 
"nor wisdom, nor every gift enjoyed, can from 
" the heart of man hide sorrow. Twice was my 
" birth foretold from heaven, and twice a sacred 
"vow enjoined me that I should drink no wine, 
nor eat of any unclean thing, for holy unto 



82 POETICAL 

"Israel's God I am, a Nazarite even from * 
"mother's womb. Twice was it told, that it might 
" not be broken : Grant me a son, kind Heaven, 
" Manoa cried ; but Heaven refused ! Childless 
"he mourned, but thought his God knew best 
"In solitude, though not obscure, in Israel he 
"lived, till venerable age came on: his flocks 
"increased, and plenty crovnied his board: be- 
" loved, revered of man ! But God hath other 
"joys in store. Is burdened Israel his grief? 
" The son of his old age shall set it free ! The 
" venerable sweetener of his life receives the pro- 
"mise first from Heaven. She saw the maidens 
"play, and blessed their innocent mirth; she 
"blessed each new-joined pair; but from her the 
" long-wished deliverer shall spring. Pensive, alone 
" she sat within the house, when busy day was i 
" fading, and calm evening, time for contemplation, 
" rose from the forsaken east, and drew the curtains 
" of heaven : pensive she sat, and thought on Israel's 
" grief, and silent prayed to Israel's God ; when 
" lo 1 an angel from the fields of light entered the 
" house I His form was manhood in the prime, 
" and from his spacious brow shot terrors through 
"the evening shade! But mild he hailed her— 
"Hail, highly favoured! said he; for lol thou 
" shalt conceive, and bear a son, and Israel's 
'' strength shall be upon his shoulders, and he 
" shall be called Israel's Deliverer. Now, thereforcj 



SKETCHES. 



83 



"drink no wine, and eat not any unclean thing; 
" for he shall be a Nazarite to God.^Then, as a 
"neighbour, when his evening tale is told, departs, 
" his blessing leaving ; so seemed he to depart : she 
"wondered with exceeding joy, nor knew he was 
"an angeL Manoa left his fields to sit in the 
" house, and take his evening's rest from labour — 
"the sweetest time that God has allotted mortal 
" man. He sat, and heard with joy, and praised 
" God, who Israel still doth keep. The time rolled 
" on, and Israel groaned oppressed. The sword 
"was bright, while the ploughshare rusted, till 
" hope grew feeble, and was ready to give place 
" to doubting ; then prayed Manoa : O Lord, thy 
"flock is scattered on the hills ! The wolf teareth 
'*thcm. Oppression stretches his rod over our 
" land, our country is ploughed with swords, and 
"reaped in blood ! The echoes of slaughter reach 
" from hill to hill ! Instead of peaceful pipe the 
"shepherd bears a sword; the ox-goad is turned 
" into a spear ! O when shall our Deliverer come ? 
" The Philistine riots on our flocks, our vintage is 
" gathered by bands of enemies I Stretch forth thy 
"hand, and save. — Thus prayed Manoa. The aged 
"woman walked into the field, and lo ! again the 
"angel came, clad as a traveller fresh risen on 
"his journey. She ran and called her husband, 
"who came and talked with him. O man of God, 
" said he, thou comesl from far ! Let us detain 



84 POETICAL SKETCHES, 

** thee while I make ready a kid, that thou mayest 
" sit and eat, and tell us of thy name and warfare ; 
** that, when thy sayings come to pass, we may 
" honour thee. The angel answered, My name is 
** Wonderful; inquire not after it, seeing it is a 
" secret ; but, if thou wilt, offer an offering unto 
''the Lord/' 



SONGS OF INNOCENCE 

AND OF 

EXPERIENCE : 

SHOWING THE TWO CONTRARY STATES 
OF THE HUMAN SOUL. 



SONGS OF INNOCENCE. 

[1789.] 



INTRODUCTION. 



\ 



'*' 




IPING down the valleys wild, 
Piping songs of pleasant glee, 
On a cloud I saw a child. 
And he laughing said to me : — 

" Pipe a song about a lamb :*' 
So I piped with merry cheer. 
" Piper, pipe that song again :*' 
So I piped ; he wept to hear. 

" Drop thy pipe, thy happy pipe. 
Sing thy songs of happy cheer :" 
So I sung the same again. 
While he wept with joy to hear. 

" Piper, sit thee down and write 
In a book that all may read — " 
So he vanished from my sight ; 
And I pluck'd a hollow reed, 



88 SONGS OF 

And I made a rural pen, 
And I stain'd the water clear, 
And I wrote my happy songs 
Every child may joy to hear. 

THE SHEPHERD. 

HOW sweet is the shepherd's sweet lot ; 
From the morn to the evening he strays ; 
He shall follow his sheep all the day, 
And his tongue shall be filled with praise. 

For he hears the lambs* innocent call, 
And he hears the ewes' tender reply ; 
He is watchful while they are in peace. 
For they know when their shepherd is nigh. 

THE ECHOING GREEN. 

THE sun does arise 
And make happy the skies ; 
The merry bells ring 
To welcome the spring ; 
The skylark and thrush, 
The birds of the bush. 
Sing louder around 
To the bells' cheerful sound, 
While our sports shall be seen 
On the echoing green. 



INNOCENCE, 89 

Old John with white hair 
Does laugh away care, 
Sitting under the oak 
Among the old folk. 
They laugh at our play, 
And soon they all say : 
" Such, such were the joys 
When we, all girls and boys, 
In our youth-time were seen 
On the echoing green." 

Till the little ones, weary, 
No more can be merry ; 
The sun does descend. 
And our sports have an end. 
Round the laps of their mothers 
Many sisters and brothers. 
Like birds in their nest, 
Are ready for rest ; 
And sport no more seen 
On the darkening green. 



THE LAMB. "A 

LITTLE lamb, who made thee ? 
Dost thou know who made thee, 
Gave thee life and bid thee feed 
By the stream and o'er the mead ; 



SONGS OF 

Gave thee clothing of delight. 
Softest clothing, wooDy, bnght ; 
Gave thee such a tender voice 
Making all the vales rejoice ; 

Little lamb, who made thee ? 

Dost thou, know who made thee ? 

Little lamb, I'll tell thee, 

Little lamb, I'll tell thee. 

He is called by thy name, 

For he calls himself a Lamb : 

He is meek and he is mild. 

He became a little child. 

I a child and thou a lamb, 

We are called by his name. 

Little lamb, God bless thee, 
Little lamb, God bless thee. 



\\ ^ THE LITTLE BLACK BOY. 

MY mother bore me in the southern w 
And I am black, but oh I my soul is 
White as an angel is tlie English child, 
' But I am black, as if bereaved of light 

■ My mother taught me underneath a tree, 

And sitting down before the heat of day, 

I She took me on her lap, and kissed me, 

I And, pointing to the east, began to say : — 



INNOCENCE. 91 

" Look on the rising sun, — there God does live, 
And gives his Hght, and gives his heat away ; 
And flowers, and trees, and beast, and men receive 
Comfort in morning, joy in the noon-day. 

" And we are put on earth a little space. 
That we may learn to bear the beams of love ; 
And these black bodies and this sun-burnt face 
Are but a cloud, and like a shady grove. 

"For when our so\ils have learnt the heat to bear, 
The clouds will vanish, we shall hear his voice, 
Saying, ' Come out from the grove, ray love and care, 
And round my golden tent like lambs rejoice,'" 

Thus did my mother say, and kissed me ; 

And thus I say to Utde English boy, — 

"When I from black, and he from white cloud free, 

And round the tent of God like lambs we joy, 

" I'll shade him from the heat, till he can bear 
To lean in joy upon our Father's knee ; 
And then I'll stand, 3nd stroke his silver hair, 
And be like him, and he will then love me." 



M 



THE BLOSSOM. 

ERRY, merry sparrow. 
Under leaves so green, 
A happy blossom 



SONGS OF 

Sees you, swift as arrow, 
Seek your cradle narrow 
Near my bosom. 

Pretty, pretty robin, 
Under leaves so green, 

A happy blossom 
Hears you sobbing, sobbing, 
Pretty, pretty robin, 

Near my bosom. 



WHEN my mother died 1 was very young. 
And my father sold me while yet my tongue 
Could scarcely cry '"weep, 'weep, 'weep, 'weepl" 
So your chimneys I sweep and lq soot I sleep. 

There's little Tom Dacre, who cried when his head, 
That curl'd hkea lamb's back, was shaved : so I said: 
" Hush, Tom, never mind it, for when your head's bare 
Youknow that the soot cannot spoil your white hair." 

And so he was quiet ; and that very night, 
As Tom was a-sleeping, he had such a sight; 
That thousands of sweepers, Dick, Joe, Ned, and 

Were all of them lock'd up in coflins of black. 



INNOCENCE. 93 

And by came an angel who had a bright key, 
And he opcn'd the coffins an(i set them all free ; 
Then down a green plain, leaping, laughing they run, 
And wash in a river and shine in the sun. 

Then naked and white, all their bags left behind, 
They rise upon clouds and si)ort in the wind ; 
And the angel told Tom if he'd be a good boy, 
He'd have God for his father and never want joy. 

And so Tom awoke ; and we rose in the dark. 
And got with our bags and our brushes to work. 
Though the morning was cold Tom was happy 

and warm : 
So if all do their duty they need not fear harm. 



"V THE LITTLE BOY LOST. 

FATHER I father I where are you going? 
O, do not walk so fast. 
Speak, father, speak to your little boy. 

Or else 1 shall be lost. 

The night was dark, no father was there ; 

The child was wet with dew ; 
The mire was deep and the child did weep, 

And away the vapour flew. 



^ 



SONGS OF 



THE LITTLE BOY FOUND. 



T 



t/ 



'HE little boy lost in the lonely fed 
Led by the wandering light. 
Began to cry ; but God, ever nigh, 
Appear'd like his father in white ; 

He kiss'd the child, and by the hand In 

And to his mother brought, 
Who, in sorrow pale, thro' the lonely d 

Her little boy weeping sought. 



A CRADLE SONG. 

SWEET dreams, form a shade 
O'er my lovely infant's head; 
Sweet dreams of pleasant streams 
By happy, silent, moony beams. 

Sweet sleep, with soft down 
Weave thy brows an infant crown. 
Sweet sleep, angel mild. 
Hover o'er my happy child. 

Sweet smiles in the night 
Hover over my delight; 
Sweet smiles, mother's smiles. 
All the livelong night beguiles. 



INNOCENCE 

l Sweet moans, dove-like sighs, 
1 Chase not slumber from thy eyes. 
L Sweet moans, sweeter smiles, 
I All the dove-like moans beguiles. 

Sleep, sleep, happy child. 

All creation slept and smiled; 

Sleep, sleep, happy sleep," 

While o'er thee thy mother weep. 
[ Sweet babe, in thy face 

Moly image I can trace. 

Sweel babe, once like thee 
[ Thy Maker lay and wept for me. 

Wept for me, for thee, for all 

When he was an infant small. 
I yThou his image ever see, 
lr\_Heavenly face that smiles on thee. 
\ Smiles on thee, on me, on all; 

Who became an infant small. 

Infant smiles are his own smiles; 
I Heaven and earth to peace beguiles. 



THE DIVINE IMAGE. 

TO mercy, pity, peace, and love 
All pray in their distress; 
[ And to these virtues of delight 
Return their thankfulness. 



SONGS OF 

For mercy, pity, peace, and love 
Is God, our Fatlier dear ; 

And mercy, pity, peace, and love 
Is man His child and ciire. 

For mercy has a human heart, 

Pity, a human face ; 
And love, the human form divine, 

And peace, the human dress. 

Then every man of every clime 
That prays in his distress. 

Prays to the human form divine. 
Love, Mercy, Pity, Peace. 

And all must love the human form 
In heathen, Turk, or Jew; 

Where mercy, love, and pity dwell. 
There God is dwelling too. 



HOLY THURSDAY. 

' '"T^WAS on a Holy Thursday, their inno! 

X faces clean. 
The children walking two and two, in red and bm 

and green. 
Grey-headed beadles walk'd before, with wands as 

white as snow, 
Till into the higli dome of 

waters flow. 



PsyTs tl 



they like Thajnes" 



INNOCENCE, 97 

O what a multitude they seera'd, these flowers of 

London town ; 
Seated in companies, they sit with radiance all their 

own. 
The hum of multitudes was there, but multitudes of 

lambs, 
Thousands of little boys and girls raising their 

innocent hands. 

Now like a mighty wind they raise to heaven the 

voice of song, 
Or like harmonious thunderings the seats of heaven 

among. 
Beneath them sit the aged men, wise guardians of 

the poor ; 
Then cherish pity, lest you drive an angel from 

your door. 



NIGHT. 

THE sun descending in the west, 
The evening star does shine ; 
The birds are silent in their nest, 
And I must seek for mine. 
The moon, like a flower, 
In heaven's high bower, 
With silent delight 
Sits and smiles on the night. 

H 



SONGS OF 

Farewell, green fields and happy groves, I 

Where flocks have took, delight ; 

Where lambs have nibbled, silent moves I 

The feet of angels bright 

Unseen they pour blessing, 

And joy without ceasing, 

On each bud and blossom 

And each sleeping bosom. 

They look in every thoughtless nest. 

Where birds are cover'd warm ; 

They visit caves of every beast. 

To keep thera all from harm. 

If they see any weeping 

That should have been sleeping. 

They pour sleep on their head. 

And sit down by their bed. 

When wolves and tigers howl for prey 

They pitying stand and weep. 

Seeking to drive their thirst away, 

And keep them from the sheep. 

But if they rush dreadful, 

The angels most heedful 

Receive each mild spirit. 

New worlds to inherit. 

And there the lion's ruddy eyes 

Shall flow with tears of gold, 

And pitying the tender cries, 

And walking round the fold, 



INNOCENCE, 99 

Saying, " Wrath, by his meekness 
And by his health, sickness 
Is driven away 
From our immortal day. 

** And now beside thee, bleating lamb, 

I can lie down and sleep ; 

Or think on him who bore thy name, 

Graze after thee, and weep. 

For, wash'd in life's river. 

My bright mane for ever 

Shall shine like the gold 

As I guard o'er the fold." 



s 



SPRING. 

OUND the flute I 
Now it's mute. 
Birds delight 
Day and night ; 
Nightingale 
In the dale, 
Lark in sky, 
Merrily, 
Merrily, merrily, to welcome in the year. 

Little boy. 
Full of joy ; 
Little girl. 
Sweet and small ; 



loo SONGS OF 

Cock does crow, 
So do you. 
Merry voice, 
Infant noise. 
Merrily, merrily to welcome in the year. 

Little lamb, 
Here I am ; 
Come and lick 
My white neck ; 
Let me pull 
Your soft wool ; 
Let me kiss 
Your soft face : 
Merrily, merrily, we welcome in the year. 

NURSFS SONG. 

WHEN the voices of children are heard 
on the green 
And laughing is heard on the hill, 
My heart is at rest within my breast. 
And everything else is still. 

Then come home, my children, the sun is gone 

down. 
And the dews of night arise ; 
Come, come, leave off play, and let us away 
Till the morning appears in the skies. 



INNOCENCE, loi 

No, no, let us play, for it is yet day', . 
And we cannot go to sleep ; 
Besides in the sky the little birds fly, 
And the hills are all covered with sheep. 

Well, well, go and play till the light fades away; 
And then go home to bed. 
The little ones leap'd and shouted and laugh'd 
And all the hills echoed. 



INFANT JOY. 

1HAVE no name, 
I am but two days old. 
What shall I call thee ? 
I happy am, 
Joy is my name. — 
Sweet joy befall thee ! 

Pretty joy ! 

Sweet joy but two days old. 

Sweet joy I call thee. 

Thou dost smile, 

I sing the while, 

Sweet joy befall thee ! 



.■.-.■. A DREAM. 

ONCE a. dream did weave a shadel 
O'et ray angel-guarded bed, 
That an emmet lost its way 
Where on grass raethought 1 lay. 

Troubled, wilder'd, and forlorn, 
Dark, benighted, travel-worn, 
Over many a tangled spray, 
All heart-broke I heard her say : 

" my children I do they cry p 
Do they hear their father sigh? 
Now they look abroad to see, 
Now return and weep for me." 

Pitying 1 dropp'd a tear ; 
But I saw a glow-worm neai : 
Who replied, " What wailing wight 
Calls the watchman of the night? 

" I am set to light the ground 
While the beetle goes his round : 
Follow now the beetle's hum ; 
Little wanderer, hie thee home." 



INNOCENCE. 103 



LAUGHING SONG. 

WHEN the green woods laugh with the 
voice of joy, 
And the dimpling stream runs laughing by, 
When the air does laugh with our merry wit. 
And the green hill laughs with the noise of it ; 

When the meadows laugh with lively green, 
And the grasshopper laughs in the merry scene, 
When Mary and Susan and Emily 
With their sweet round mouths sing Ha, ha, he ! 

When the painted birds laugh in the shade, 
When our table with cherries and nuts is spread. 
Come live and be happy and join with me 
To sing the sweet chorus of Ha, ha, he I 



THE SCHOOL-BOY. 

I LOVE to rise in a summer mom 
When the birds sing on every tree ; 
The distant huntsman winds his horn. 
And the sky-lark sings with me. 
O I what sweet company. 



I04 SONGS OF 

But to go to school in a summer mom, 

O ! it drives all joy away ; 
Under a cruel eye outworn, 

The little ones spend the day 

In sighing and dismay. 

Ah ! then at times I drooping sit, 
And spend many an anxious hour ; 

Nor in my book can I take delight 
Nor sit in learning's bower, 
Worn thro* with the dreary shower. 

How can the bird, that is bom for joy, 
Sit in a cage and sing ? 

How can a child, when fears annoy. 
But droop his tender wing. 
And forget his youthful spring ? 

O father and mother, if buds are nipped. 
And blossoms blown away. 

And if the tender plants are stripp'd 
Of their joy in the springing day. 
By sorrow and care's dismay. 

How shall the summer arise in joy. 
Or the summer fruits appear ? 

Or how shall we gather what griefs destroy. 
Or bless the mellowing year. 
When the blasts of winter appear ? 



x 

X 






INNOCENCE, 105 

y<. ON ANOTHER'S SORROW. 

CAN I see another's woe, 
And not be in sorrow too ? 
Can I see another's grief, 
And not seek for kind relief? 

Can I see a falling tear. 
And not feel my sorrow's share ? 
Can a father see his child 
Weep, nor be with sorrow fill'd ? 

Can a mother sit and hear 
An infant groan, an infant fear ? 
No, no, never can it be, 
Never, never can it be. 

And can he who smiles on all 
Hear the wren with sorrrows small, 
Hear the small bird's grief and care. 
Hear the woes that infants bear, 

And not sit beside the nest, 
Pouring pity in their breast ; 
And not sit the cradle near, 
Weej)ing tear on infant's tear ; 

■ And not sit both night and day. 
Wiping all our tears away ? 
O ! no, never can it be. 
Never, never can it be. 




SO/^CS OF INNOCENCE. 

He doth give his joy to aU ; 
He becomes an infant small ; 
He becomes a man of woe ; 
He doth feci the sorrow too. 

Think not thou canst sigh a sigh 
And thy Maker is not by; 
Think not thou canst weep a tear 
And thy Maker is not near. 

O ! he gives to us his joy 
That our grief he may destroy : 
Till our grief is fled and gone 
He dotli sit by us and moan. 



THE VOICE OF THE ANCIENT 
BARD. 

YOUTH of delight, come hither, 
And see the opening mom, 
Image of truth new-bom. 
Doubt is fled and clouds of reason, 
Dark disputes and artful teasing. 
FoUy is an endless maze, 
Tangled roots perplex her ways, 
How many have fallen there ! 
They stumble all night over bones of the d^ 
And feel they know not what but care, 
And wish to lead others when they should be HI 



SONGS OF EXPERIENCE. 

[1794.] 



SONGS OF EXPERIENCE. 




INTRODUCTION. 

EAR the voice of the Bard, 
Who present, past, and future sees; 
Whose ears have heard 
The Holy Word 
That walk'd among the ancient trees. 

Calling the lapsed soul, 
And weeping in the evening dew; 

That might control 

The starry pole. 
And fallen, fallen light renew ! 

O Earth, O Earth, return ! 
Arise from out the dewy grass ; 

Night is worn ; 

And the morn 
Rises from the slumbrous mass. 

Turn away no more : 
Why wilt thou turn away ? 

The starry floor. 

The watery shore. 
Is given thee till the break of day. 



no SONGS OF 



EARTH'S ANSWER. 

EARTH raised up her head 
From the darkness dread and drear. 
Her light fled, 
Stony dread ! 
And her locks cover'd with grey despair. 



Prisoned on watery shore, 
Starry Jealousy does keep my den : 

Cold and hoar. 

Weeping o'er, 
I hear the father of the ancient men. 



Selfish father of men. 
Cruel, jealous, selfish fear, 
Can delight. 
Chained in night, 
The virgins of youth and morning bear ? 



Does spring hide its joy 
When buds and blossoms grow ? 

Does the sower 

Sow by night. 
Or the ploughman in darkness plough ? 



EXPERIENCE. m 

Break this heavy chain 
That does freeze my bones aroUnd. 
Selfish ! vain ! 
Eternal bane ! 
That free love with bondage bound. 



INFANT SORROW. 

MY mother groan'd, my father wept, 
Into the dangerous world I leapt ; 
Helpless, naked, piping loud, 
Like a fiend hid in a cloud. 

Struggling in my father's hands, 
Striving against my swaddling-bands. 
Bound and weary, I thought best 
To sulk upon my mother's breast. 

MY PRETTY ROSE-TREE. 

A FLOWER was offer'd to me, 
Such a flower as May never bore ; 
But I said, I've a pretty rose-tree. 
And I pass'd the sweet flower o'er. 

Then I went to my pretty rose-tree. 
To tend her by day and by night ; 
But my rose turn'd away with jealousy. 
And her thorns were my only delight. 



112 SONGS OF 

AH ! SUN-FLOWER. 

AH, Sunflower ! weary of time, 
Who countest the steps of the sun ; 
Seeking after that sweet golden clime, 
AVhere the traveller's journey is done ; 

Where the youth pined away with desire, 
And the pale virgin shrouded in snow, 
Arise from their graves and aspire 
Where my sunflower wishes to go. 

THE LILY. 

THE modest rose puts forth a thorn, 
The humble sheep a threatening horn ; 
While the lily white shall in love delight, 
Nor a thorn nor a threat stain her beauty bright 

THE SICK ROSE. 

OROSE, thou art sick : 
The invisible worm, 
That flies in the night 
In the howling storm, 

Has found out thy bed 
Of crimson joy ; 
And his dark secret love 
Does thy life destroy. 



EXPERIENCE. 113 

NURSFS SONG. 

WHEN the voices of children are heard on 
the green, 
And whisperings are in the dale, 
The days of my youth rise fresh in my mind, 
My face turns green and pale. 

Then come home, my children, the sun is gone 
down. 

And the dews of night arise ; 
Your spring and your day are wasted in play 

And your winter and night in disguise. 



THE CLOD AND THE PEBBLE. 

LOVE seeketh not itself to please, 
Nor for itself hath any care ; 
But for another gives its ease. 
And builds a heaven in hell's despair. 

So sung a little clod of clay. 
Trodden with the cattle's feet ; 
But a pebble of the brook 
Warbled out these metres meet : 



SOA'GS OF 

Love seeketh only self to please, 
To bind another to its delight, 
Joys in another's loss of ease, 
And builds a hell in heaven's despite. 



THE GARDEN OF LOVE. 

IW'ENT to the garden of Love, 
And saw what I never had seen : 
A Chape! was built in the midst. 
Where I used to play on the green. 

And the gates of this chapel were shut, 
And " Thou shah not " writ over the door^ 
So I tum'd to the garden of Love 
■.That so many sweet flowers bore ; 

And I saw it was filled with graves 
\And tombstones where Rowers should be : 
And priests in black gowns were walking ^ 

rounds. 
And binding with briars my joys and desii 

, THE FLY. 



LITTLE fly, 
Thy summer's play 
My thoughtless hand 
Has brush'd away. 



EXPERIENCE. \ \ 5 

Am not I 
A fly like thee ? 
Or art not thou 
A man like me ? 



For I dance, 
And drink, and sing, 
Till some blind hand 
Shall brush my wing. 

If thought is life 

And strength and breath, 

And the want 

Of thought is death ; 

•» 

Then am I 
A happy fly, 
If I live 
Or if I die. 



THE TIGER. 

TIGER, tiger, burning bright 
In the forests of the night. 
What immortal hand or eye 
Could frame thy fearful symmetry ? 



L 




soATGs or 

In what distant deeps or skies 
Burnt the fire of thine eyes? 
On what wings dare he aspire ? 
What the hand dare seize the fire ? 

And what shoulder, and what art, 
Could twist the sinews of thy heart 
And when thy heart began to beat, 
What dread hand ? and what dread feet 

What the hammer ? what the chain ? 
In what furnace was thy brain? 
What the anvil ? what dread grasp 
Dare its deadly terrors clasp? 

When the stars threw down their spears. 
And water'd heaven with their tears, 
Did he smile his work to see ? 
Did he who made the lamb make thee ? J 

Tiger, tiger, burning bright 
In the forests of the night, 
What immortal hand or eye 
Dare frame thy fearful symmetry? 

A LITTLE BOY LOST. 

NOUGHT loves another as itself, 
Nor venerates another so, 
Nor is it possible to thought 
A greater than itself to know ; 



EXPERIENCE. n? 

And, father, how can I love you 

Or any of my brothers more ? 
I love you like the little bird 

That picks up crumbs around the door. 
The priest sat by and heard the child. 

In trembling zeal he seized his hair ; 
He led him by his little coat, 

And all admired the priestly care. 
And standing on the altar high : 

" Lo ! what a fiend is here ! " said he : 
" One who sets reason up for judge 
Of our most holy mystery." 

The weeping child could not be heard. 
The weeping parents wept in vain ; 

They stripp'd him to his little shirt 
And bound him in an iron chain j 

And bum'd him in a holy place 
Where many had been bum'd before : 

The weeping parents wept in vain. 

Are such things done on Albion's shore ? 

HOLY THURSDAY. 

IS this a holy thing to see 
In a rich and fruitful land, 
Babes reduced to misery, 
Fed with cold and usurous hand? 



SONGS OF 

Is that trembling cr>- a song ? 

Can it be a song of joy ? 
And so many children poor ? 

Il is a land of poverty ! 

And their sun does never shine. 

And their fields are bleak and bare, I 

And their ways are fill'd with thorns i.n 
It is eternal winter there. 

For where'er the sun does shine, 
And where'er the rain does fall. 

Babe can never hunger there, 
Nor poverty the mind appal. 



THE ANGEL. 



I DREAMT a dream ! what can it n 
And that I was a maiden queen. 
Guarded by an angel mild : 
Witless woe was ni 



And I wept both night and day. 
And he wiped my tears away. 
And I wept both day and night, 
And hid from him my heart's dehght. 



EXPERIENCE. 119 

So he took his wings and fled ; 
Then the mom blush'd rosy red ; 
I dried my tears and arm^d my fears 
With ten thousand shields and spears. 

Soon my angel came again : 
I was arm'd, he came in vain ; 
For the time of youth was fled, 
And grey hairs were on my head. 



THE LITTLE GIRL LOST. 

IN futurity 
I prophetic see 
That the earth from sleep 
(Grave the sentence deep) 

Shall arise and seek 
For her maker meek ; 
And the desert wild 
Become a garden mild. 

In the southern clime, 
Where the summer's prime 
Never fades away, 
Lovely Lyca lay. 



SONGS OF 

Seven summers old 
Lovely Lyca told ; 
She had wander'd long 
Hearing wild birds' song. 

Sweet sleep, come to me 
Underneath this tree. 
Do father, mother weep ? 
Where can Lyca sleep? 

Lost in desert wild 
Is your little child. 
How can Lyca sleep 
If her mother weep ? 

If her heart does ache, 
Then let Lyca wake ; 
If my mother sleep, 
Lyca shall not weep. 

Frowning, frowning night, 
O'er this desert bright. 
Let thy moon arise 
While I close my eyes. 

Sleeping Lyca lay : 
While the beasts of prey, 
Come from caverns deep, 
View'd the maid asleep. 



EXPERIENCE, 121 

The kingly lion stood, 
And the virgin view*d, 
Then he gamboU'd round 
O'er the hallowed ground. 

Leopards, tigers play 
Round her as she lay,. 
While the lion old 
Bow'd his mane of gold, 

And her bosom lick. 
And upon her neck 
From his eyes of flame 
Ruby tears there came. 

While the lioness 
Loosed her slender dress, 
And naked they conve/d 
To caves the sleeping maid. 



THE LITTLE GIRL FOUND. 

ALL the night in woe 
Lyca*s parents go 
Over valleys deep. 
While the deserts weep. 



SONGS OF 

Tired and woe-begone, 
Hoarse with making moan, 
Arm in arm seven days 
They traced the desert ways. 

Seven nights they sleep 
Among shadows deep. 
And dream they see their child 
Starved in desert wild. 

Pale, through pathless ways 
The fancied image strays, 
Famish'd, weeping, weak, 
With hollow piteous shriek. 

Rising from unrest 
The trembling woman press'd 
With feet of weary woe : 
She could no further go. 

In his arms he bore 

Her, arm'd with sorrow sore ; 

Till before their way 

A couching lion lay. 

Turning back was vain : 
Soon his heavy mane 
Bore them to the ground ; 
Then he stalk'd around. 



EXPERIENCE, 123 

Smelling to his prey ; 
But their fears allay 
When he licks their hands, 
And silent by them stands. 

They look upon his eyes 
Fiird with deep siuprise ; 
And, wondering, behold 
A spirit arm*d in gold — 

On his head a crown ; 
On his shoulders down 
Flow'd his golden hair ; 
Gone was all their care. 

** Follow me," he said ; 
" Weep not for the maid ; 
" In my palace deep 
" Lyca lies asleep." 

Then they followed 
Where the vision led ; 
And saw their sleeping child 
Among tigers wild. 

To this day they dwell 
In a lonely dell ; 
Nor fear the wolvish howl, 
Nor the lion's growl. 



LONDON. 

I WANDER thro' each charter'd street 
Near where the charter'd Thames does i 
And mark in every face I meet 
Marks of weakness, marks oi woe. 

In every cry of every man, 

In every infant's cry of fear, 
In every voice, in every ban, 
, The mind-forged manacles I hear. 

How the chimney-sweeper's cry 
Every blackening church appals ; 

And the hapless soldier's sigh 

Runs in blood down palace-walls. 

But most thro' midnight streets I hear 

How the youthful harlot's curse 
Blasts the new-born infant's tear. 

And blights with plagues the marriage hear 



TO TIRZAH. 

WHATE'ER is bom of mortal birt 
Must be consumed with the eaf 
To rise from generation free : 
Then what have I to do with thee ? 



EXPERIENCE, 125 

■ 

The sexes sprung from shame and pride 
Blow'd in the morn ; in evening died. 
But mercy changed death into sleep : 
The sexes rose to work and weep. 

Thou mother of my mortal part 
With cruelty didst mould my heart, 
And with false, self-deceiving tears 
Didst bind my nostrils, eyes and ears ; 

Didst close my tongue in senseless clay 
And me to mortal life betray : 
The death of Jesus set me free : 
Then what have I to do with thee ? 

IT IS RAISED A SPIRITUAL BODY. 



THE HUMAN ABSTRACT. 

PITY would be no more 
If we did not make somebody poor ; 
And mercy no more could be 
If all were as happy as we. 

And mutual fear brings peace, 
Till the selfish loves increase ; 
Then cruelty knits a snare 
And spreads his baits with care. 



.6 SONGS OF 

He sits down with holy fears, 
And waters the ground with tears ; 
Then humility takes its root 
Underneath his foot. 

Soon spreads the dismal shade 
Of mystery over his head ; 
And the caterpillar and fly 
Feed on the mystery. 

And it bears the fruit of deceit, 
Ruddy and sweet to eat ; 
And the raven his nest has made 
In its thickest shade. 

The gods of the earth and sea 
Sought through Nature to find Uiis tree J . 
But their search was all in vain. 
There grows one in the human brain. 



THE CHIMNEY-SWEEPER. 

A LITTLE black thing among the snow, 
Crying, " 'weep 1 'weep 1 " in notes of W 
Where are thy father and mother, say? 

— They are both gone up to the church to pray. 
Because I was happy upon the heath, 



And 



smiled among 
clothed 



the 
the clothes of death. 



And taught me to sing the 



EXPERIENCE. 1:7 

And because I am happy, and dance and sing, 
They think they have done me no iojury, 

And ar^ gone to praise God and his Priest and 
King 
Who make up a heaven of out misery. 



A POISON TREE. 

I WAS angry with my friend ; 
I told my wrath, my wrath did end. 
I was angry with my foe ; 
I told it not, my wrath did grow. 

And I water'd it in fears, 
Night and morning with my tears ; 
And I sunned it with smiles 
And with soft deceitful wiles. 

And it grew both day and night. 
Till it bore an apple bright ; 
And my foe beheld it shine. 
And he knew that it was mine. 

And into my garden stole 

When the night had veil'd the pole : 

In the morning glad I see 

My foe outstretch'd beneath the tree. 



A LITTLE GIRL LOST. 

CHILDREN of the future age, ' 
Reading this indignant page. 
Know that in a former time, 
]x)ve, sweet love, was thought a crime I 

In the Age of Gold, 
Free from winter's cold. 
Youth and maiden bright, 
To the holy light. 
Naked in the sunny beams delight. 

Once a youthful pair, 
Fill'd with softest care. 
Met in garden bright. 
Where the holy hght 
Had just removed tlie curtains of the night. 

There in rising day, 
On the grass they play; 
Parents were afar, 
Strangers came not near ; 
And the maiden soon forgot her fear. 

Tired wil;h kisses sweet, 
They agree to meet 
When the silent sleep 
Waves o'er heaven's deep, 
And the weary tired wanderers weep. 



EXPERIENCE, 129 

To her father white 
Cam# the maiden bright ; 
But his loving look, 
Like the holy book, 
All her tender limbs with terror shook. 

Ona, pale and weak, 
To thy father speak ! 
O the trembling fear, 
O the dismal care 
That shakes the blossoms of my hoary hair ! 

A DIVINE IMAGE. 

CRUELTY has a human heart 
And Jealousy a human face ; 
Terror the human form divine, 
And Secrecy the human dress. 

The human dress is forged iron. 
The human form a fiery forge, 

The human face a furnace seal'd. 
The human heart its hungry gorge. 

THE LITTLE VAGABOND. 

DEAR mother, dear mother, the church is cold. 
But the ale-house is healthy and pleasant 
and warm > 
Besides I can tell where I am used well. 
Such usage in heaven will never do well. 

K 



iy> 



SOJVGS OF EXPERIENCE. 



Bdt if al die diitrch (her would give us some a 
And a pleasant fire our souls to regale, 
We'd sing and we'd pray all the livelong day; 
Nor ever once wish from the church to stray. 

Ttien the paison might preach and drink and sing, 
And we'd be as happy as birds in the spring: 
And modest Dame Lurch, who is always at church, 
Would not have handy children nor fasting nor 
birch. 

And God like a Father rejoicing to see 
His children as pleasant and happy as He, 
Would have no more quairel with the devil or the 

barrel. 
But kiss him and give him both drink and apparel 



MISCELLANEOUS POEMS. 



MISCELLANEOUS POEMS. 




THE SMILE. 

HERE is a smile of love, 

And there is a smile of deceit, 
And there is a smile of smiles 
In which these two smiles meet. 



And there is a frown of hate, 
And there is a frown of disdain, 

And there is a frown of frowns 
Which you strive to forget in vain. 

For it sticks in the heart's deep core 
And it sticks in the deep back-bone ; 

And no smile that ever was smiled, 
But only one smile alone, — 

That betwixt the cradle and grave 
It only once smiled can be ; 

And when it once is smiled 
There's an end to all misery. 



MISCELLANEOUS POEMS. 



THE GOLDEN NET. 

THREE Virgins at the break of day, 
" Whilher, young man, whither away? 
Alas for woe ! alas for woe ! " 
They cry, and tears for ever flow. 
The one was clothed in flames of fire, 
The other clothed in iron wire, 
The other clothed in tears and sighs, 
Dazzling bright before my eyes. 
They bore a net of golden twine 
To hang upon the branches fine. 
Pitying I wept to see the woe 
That Love and Beauty undei^go. 
To be consumed in burning fires 
And in ungralified desires. 
And in tears clothed night and day 
Melted all my soul away. 
AVhen they saw my tears, a smile 
That did heaven itself beguile. 
Bore the golden net aloft. 
As on downy pinions soft. 
Over the morning of my day. 
Underneath the net I stray, 
Now entreating Burning Fire, 
Now entreating Iron Wire, 
Now entreating Tears and Sigha. 
O when will the morning rise? 



MISCELLANEOUS POEMS. 



THE MENTAL TRAVELLER. 

ITRAVELL'D through a land of men. 
A land of men and women too, 
And heard and saw such dreadful things 
As cold earth-wanderers never knew. 

For there the babe is born in joy 
That was begotten in dire woe ; 

Just as we reap in joy the fruit 
Which we in bitter tears did sow. 

And if the babe is born a boy, 

He's given to a woman old, 
Who nails him down upon a rock, 

Catches his shrieks in cups of gold. 

She binds iron thorns around his head, 
She pierces both his hands and feet, 

She culs his heart out at his side. 
To make it feel both cold and heat. 



Her fingers number every nerve, 
Just as a raiser counts his gold ; 

She lives upon his shrieks and cries, 
And she grows young as he grows old : 



MISCELLANEOUS POEMS. 

Till he becomes a bleeding youth, 
And she becomes a virgin bright, 

Then he rends up his manacles, 
And binds het down for his delight. 

He plants himself in all her nerves, 
Just as a husbandman his mould, 

And she becomes his dwelling-place, 
And garden fruitful seventy-fold : 

An aged shadow, soon he fades, 
Wandering round an earthly cot. 

Full-filled all with gains and gold, 
Which he by industry had got ; 

And these are the gems of the human & 
The rubies and pearls of a love-sick e 

The countless gold of the achiog heart, : 
The martyr's groan, and the lover's sigj 

They are his meat, they are his drink ; 

He feeds the beggar and the poor, 
And the wayfaring traveller. 

For ever open is his door. 

His grief is their eternal joy ; 

They make the roofs and walls to ringJ 
Till from the tire on the hearth 

A little female babe does spring ; 



MISCELLANEOUS POEMS. 137 

And she is all of solid fire 

And gems and gold, that none his hand 
Dares stretch to touch her baby form, 

Or wrap her in his swaddling band. 

But she comes to the man she loves. 
If young or old, or rich or poor. 

They soon drive out the aged host, 
A beggar at another's door. 

He wanders, weeping, far away, 

Until some other take him in : 
Oft blind and age-bent, sore distressed. 

Until he can a maiden win : 

And to allay his freezing age. 
The poor man takes her in his arms ; 

The cottage fades before his sight. 
The garden and its lovely charms ; 

The guests are scatter'd through the land, 

For the eye altering alters all ; 
The senses roll themselves in fear, 

And the flat earth becomes a ball ; 

The stars, sun, moon, all shrink away, 

A desert vast without a bound, 
And nothing left to eat or drink, 

And a dark desert all around : 



MISCELLANEOUS POEMS. 

The honey of her infant lips, 

The bread aod wine of her sweet si 

The wild game of her roving eye, 
Does him to infancy beguile ; 

For as he eats and drinks, he grows 
Younger and younger every day ; 

And on the desert wild they both 
Wander in terror and dismay. 

Like the wild slag she flees away, 
Her fear plants many a thicket wild ; 

While he pursues her night and day, 
By various arts of love beguiled ; 

By various arts of love and hate ; 

Till {the wide desert planted o'er 
With labyrinths of wayward love, 

Where roam the lion, wolf, and boar,]^ 

Till he becomes a wayward babe, 
And she a weeping woman old. 

Then many a lover wanders here ; 
The sun and stars are nearer roU'd ; 



The trees bring forth sweet ecstasy 
To all who in the desert roam; 

Till many a city there is built. 
And many a pleasant shepherd's hon* 



MISCELLANEOUS POEMS. 13c 

But when they find the frowning babe. 
Terror strikes through the region wide, — 

TTiey cry, " The babe, the babe is bom I " 
And See away on every side. 

Bfor who dare touch the frowning form, 
His arm is wither'd to its root j 

IJons, bears, wolves, all howling See, 
And every tree does shed its fruit 

And none can touch that frowning form. 

Except it be a woman old ; 
She nails him down upon the rock, 

And all is done as I have told. 



THE LAND OF DREAMS. 

AWAKE, awake, my little boy ! 
Thou wast thy mother's only joy. 
Why dost thou weep in thy gentle sleep ? 
Awake, thy father does thee keep. 

" O, what land is the land of dreams, 
What aJe its mountains, and what are its 

streams ? 
O father, I saw my mother there, 
Among the lilies by waters fair. 



I40 MISCELLANEOUS POEMS, 

'* Among the lambs clothed in white, 

She walked with her Thomas in sweet delight ; 

I wept for joy, like a dove I mourn, 

O, when shall I again return ? " 

Dear child, I also by pleasant streams, 
Have wandered all night in the land of dreams, 
But though calm and warm the waters wide, 
I could not get to the other side. 

" Father, O father ! what do we here, 
In this land of unbelief and fear? 
The land of dreams is better far 
Above the light of the morning-star.'* 



MARY. 

SWEET Mary, the first time she ever was there. 
Came into the ball-room among the fair, 
The young men and maidens around her throng, 
And these are the words upon every tongue : — 

'* An Angel is here from the heavenly climes, 
Or again does return the golden times ; 
Her eyes outshine every brilliant ray ; 
She opens her lips — 'tis the month of May. 



MISCELLANEOUS POEMS, 141 



(( 



Mary moves in soft beauty and conscious delight, 
To augment with sweet smiles all the joys of the 

night ; 
Nor once blushes to own to the rest of the fair 
That sweet love and beauty are worthy our care." 

In the morning the villagers rose with delight 
And repeated with pleasure the joys of the night, 
And Mary arose among friends to be free. 
But no friend from henceforward thou, Mary, shalt 
see. 

Some said she was proud ; some caird her a 

whore. 
And some when she passed by, shut-to the door. 
A damp cold came o'er her, her blushes all fled. 
Her lilies and roses are blighted and shed. 

«* O, why was I bom with a different face ? 
Why was I not bom like this envious race ? 
Why did Heaven adom me with bountiful hand. 
And then set me down in-^n envious land? 

" To be weak as a lamb and smooth as a dove, 
And not to raise envy is caird Christian love ; 
But if you raise envy your merit's to blame 
For planting such spite in the weak and the tame. 



143 MISCELLANEOUS POEMS. 

" I will humble my beauty : I will not dres 

I will keep from the ball and my eyes shall not 1 

shine ; 
And if any girl's lover forsake her for m 
I'll refuse him my hand and from envy be free." 

She went out in morning, attired plain and neat : 
" Proud Mary's gone mad ! " said the child in the 

street. 
She went out in morning in plain neat attire 
And came home in evening bespatter'd with mire. 

She trembled and wept, sitting on the bed-side, 
She forgot it was night, and she trembled and 

cried ; 
She foi^ot it was night, she foi^ot it was morn, 
Her soft memory imprinted with faces of scorn. 

With faces of scorn and with eyes of disdain, 
Like foul fiends inhabiting Marys mild brain : 
She remembers no face like the human divine. 
Ail (aces have envy, sweet Mary, but thine. 



And thine is a face of sweet love in despaJi^ ' 
And thine is a face of mild sorrow and care, 
And thine is a face of wild terror and fear, 
That shall never be quiet till laid on its b^. 



MISCELLANEOUS POEMS. 



THE CRYSTAL CABINET. 

THE maiden caught me in the wild, 
Where I was dancing merrily, 
She put me into her cabinet 

And lock'd me up with a golden key. 

This cabinet is forra'd of gold 

And pearl and crystal shining bright, 

And within it opens into a world. 
And a little lovely moony night 

Another England there I saw, 
Another London with its Tower, 

Another Thames and other hills. 
And another pleasant Surrey bower. 

Another maiden, like herself, 

Translucent, lovely, shining clear, 

Threefold each in the other closed ; 
O what a pleasant trembling fear I 

what a smile, a threefold smile, 
Fill'd me, that like a flame I burn'd ; 

1 bent to kiss the lovely maid 

And found a threefold kiss retum'd. 

I strove to seize the inmost form 

With ardour fierce and hands of flame. 

But burst the crystal cabinet. 
And like a weeping babe became — 



44 MISCELLANEOUS POEMS. 

A weeping babe upon the wild 

And weeping woman pale reclined j 

And in the outward air again 

I fili'd with woes the passing wind. 

THE GREY MONK. 

I DIE, 1 die ! '■ the Mother said, 
" My children die for lack, of brea 
What more has the merciless tyrant said?4 
The Monk sat down on the stony bed. 

The blood red ran from the grey monk's side, 

His hands and feet were wounded wide. 

His body bent, his arms and knees 

Like to the roots of ancient trees.* 

His eye was dry : no tear could flow 

A hollow groan first spoke his woe. 

He trembled and shudder'd upon the bed j; 

At length with a feeble cry he Said : 

" When God commanded this hand to write ■ 
In the studious hours of deep midnight, - 
He told me the writing I wrote should prove 

The bane of all that on earth I love. 

" My brother starved between two walls, 
His children's cry my soul appals ; 
I mock'd at the rack and grinding chain, 
My bent body mocks their torturing p 
* Vtdt poslea, p. 154. 



MISCELLANEOUS POEMS, 145 

" Thy father drew his sword in the North, 
With his thousands strong he marched forth ; 
Thy brother has arm'd himself in steel, 
To avenge the wrongs thy children feel. 

" But vain the' sword and vain the bow. 
They never can work war's overthrow. 
The hermit's prayer and the widow's tear 
Alone can free the world from fear. 

" For a tear is an intellectual thing. 
And a sigh is the sword of an angel king, 
And the bitter groan of the martyr's woe 
Is an arrow from the Almighty's bow. 

" The hand of vengeance found the bed 
To which the purple tyrant fled ; 
The iron hand crush'd the tyrant's head. 
And became a t)n:ant in his stead." 



AUGURIES OF INNOCENCE. 

TO see the world in a grain of sand. 
And a heaven in a wild flower, 
Hold infinity in the palm of your hand 

And eternity in an hour. 
A robin redbreast in a cage 
Puts all heaven in a rage. 
A dove-house filPd with doves and pigeons 
Shudders hell through all its regions. 

L 



MISCELLANEOUS POEMS. 

A dog starved at his master's gate 

Predicts the ruin of the state. 

A horse misused upon ihe road 

Calls to heaven for hutnaii blood. 

Each outcry of the hunted hare, 

A fibre from the brain does tear. 

A skylark wounded in the wing, 

A cherubim does cease to sing. 

The game-cock dipt and arm'd for fight j 

Does the rising sun atfrighL 

Every wolfs and lion's howl 

Raises from hell a human soul. 

The wild deer, wandering here and thercy J 

Keeps the human soul from care. 

The lamb misused breeds public strife, 

And yet forgives the butcher's knife. 

The bat that fi't at lose of eve 

Has 1 f the b n hat won't believe. 

The owl ha all upon the night 

Speak he unb 1 r's fright. 

He who 1 all h he little wren 

Shall n e be b lo d by men. 

He who the ox to wrath has moved 

Shall never be by woman loved. 

The wanton boy that kills the fly 

Shall feel the spider's enmity. 

He who torments the chafer's sprite 

Weaves a bower in endless night. 



MISCELLANEOUS POEMS. 

The caterpillar on the leaf 

Repeats to Ihee thy mother's grief. 

Kill not the moth nw butterfly, 

For the last judgment draweth nigh. 

He who shall train the horse to war 

Shall never pass the polar bar. 

The beggar's dog and widow's cat 

Feed them, and thou wilt grow fat. 

The gnat that sings his summer's song 

Poison gets from slander's tongue. 

The poison of the snake and newt 

Is the sweat of Envy's foot. 

The poison of the honey-bee 

Is the artist's jealousy. 

The prince's robes and beggar's rags 

Are toadstools on the miser's bags. 

A truth that's told with bad intent 

Beats all the lies you can invent. 

It is right it should be so, 

Man was made for joy and woe ; 

And, when this we rightly know. 

Through the world we safely go. 

Joy and woe are woven fine, 

A clothing for the soul divine. 

Under every grief and pine 

Runs a joy with silken twine. 

The babe is more than swaddling-bands ; 

Throughout all these human lands 



; MISCELLANEOUS POEMS. 

Tools were made, and bom were hands 

Eveiy farmer understands. 

Every tear from every eye 

Becomes a babe in eternity ; 

This is caught by females bright. 

And return 'd to its own delight. 

The bleat, the bark, bellow and roar. 

Are waves that beat on heaven's shore. 

The babe that weeps the rod beneath 

Writes revenge in realms of death. 

The beggar's rags, fluttering in air. 

Does to rags the heavens tear. 

The soldier, aim'd with sword and gun. 

Palsied strikes the summer's sun. 

The poor man's farthing is worth more i 

Than all the gold on Afric's shore. 

One mite, wrung from the labourer's hands, 

Shall buy and sell the miser's lands ; 

Or, if protected from on high, | 

Does that whole nation sell and buy. 

He who mocks the infant's faith. 

Shall be mock'd in age and death. 

He who shall teach the child to doubt. 

The rotting grave shall ne'er get out. 

He who respects the infant's faith, 

Triumphs over hell and death. 

The child's toys, and the old man's reason^ 

Are the fruits of the two si 



MISCELLANEOUS POEMS. 

The questioner, who sits so sly, 
Shall never know how to reply ; 
He who replies to words of doubt 

I Doth put the light of knowledge out. 
The strongest poison ever known, 
Came from Cesar's laurel crown. 
Nought can deform the human race, 
Like to the armour's iron brace. 
When gold and gems adorn the plough, 
To peaceful arts shall envy bow. 
A riddle, or the cricket's cry, 
Is to doubt a fit reply. 
The emmet's inch, and eagle's mile. 
Make lame philosophy to smile. 
He who doubts from what he sees, 
Will ne'er believe, do what you please ; 
If the sun and moon should doubt, 
They'd immediately go out. 

* To be in a passion you good may do, 
But no good if a passion is in you. 
The whore and gambler, by the state 
Licensed, build that nation's fate. 
The harlofs cry from street to street 
Shall weave old England's winding-sheet 
The winner's shout, the loser's curse, 
Dance before dead England's hearse. 
Every night and every mom 
Some to misery are bom ; 



ISO 



MISCEl^ANEOUS POEMS. 



Every niom and every night 

Some are born lo sweel detighl ; 

Some are born to sweet delight, 

Some aie bom to endless night 

We are led to believe a lie, 

When we see not through the eye, 

Which was born in a night to perish in a 

When the soul slept in beams of light 

God appears, and God is light. 

To those poor souls who dwell in night j 

But does a human form display 

To those who dwell in realms of day. 



LONG JOHN BROWN AND LITTLE,] 
MARY BELL. 



LITTLE Mary Bell had a faiiy in a nut, 
Long John Brown had the devil in his gat ; 
Long John Brown loved little Mary Bell, 
And the fairy drew the devil into the nutshell. 

Her fairy skipp'd out, and her fairy skipp'd in, \ 
He laugh'd at the devil, saying, " Love w 
The devil he raged, and the devil he was wroth,, ■ 
And the devil enter'd into the young ma 

He was soon in the gut of the loving young sw! 
For John eat and drank to drive away love's p 




MISCELLANEOUS POEMS. 



But all he could do he grew thinner and thinner. 
Though he eat and drank as much as ten men for 
his dinner. 

Some said he had a wol^ in his stomach day and 

night, 
Some said he had the devil, and theyguess'd right; 
The fairy skipp'd about in his glory, joy, and pride, 
And he laugh'd at the devi] till poor John Brown 

died. 

Then the fairy skipp'd out of the old nutshell, 
And woe and alack I for pretty Mary Bell j 
For the devil crept in when the fairy skipp'd out, 
And there goes Miss Bell with her fusty old nut. 



WILLIAM BOND. 

I WONDER whether the girls are mad. 
And I wonder whether they mean to kill, 
And I wonder if William Bond will die, 
For assuredly he is very ili^^ 

He went to church in a May morning. 
Attended by fairies one, two, and three ; 
. But the angels of Providence drove them away, 
\^And he retum'd home in misery. 



152 MISCELLANEOUS POEMS. 

He went not out to the field nor fold, 



But he came home in a. black black cloud, ■ 
And took to his bed, and there lay down. 

And an angel of Providence at his feet, 
And an angel of Providence at his head, 

And in the midst a black black cloud, 

And in the midst the sick man on his bed. J 

), And on his right hand was Mary Green, 
And on his left hand was his sister Jane, 
And their tears fell through the black black cloud. 
To drive away the sick man's pain. 

" William, tf thou dost another love. 

Dost another love better than poor Mary, 

Go and take that other to be thy wife, 
And Mary Green shall her servant be." 

" Yes, Mary, I do another love, 

Anotlier I love far better than thee. 

And another I will have for my wife ; 
Then what have I to do with thee ? 



" For thou art melancholy pale. 

And on thy head is the cold moon's shine ,,' 
But she is ruddy and bright as day. 

And the sunbeams dazzle from her eyoe." 



MISCELLANEOUS POEMS. iS3 

Mary trembled and Mary chill'd, 

And Mary fell down on the right-hand floor, 
That William Bond and his sister Jane 

Scarce could recover Mary more. 

When Mary woke and found her laid 
On the right hand of her WilUam dear, 

On the right hand of his loved bed, 
And saw her William Bond so near, 

The fairies that fled from William Bond 

Danced around her shining head. 
They danced over the pillow white, 
yAnd the angels of Providence left the bed. 

** I thought Love lived in the hot sunshine, >^ 
But O, he lives in the moony light : 

I thought to find Love in the heat of day. 
But sweet Love is the comforter of night. 

" Seek Love in the pity of others* woe. 
In the gentle relief of another's care. 

In the darkness of night and the winter's snow. 
In the naked and outcast, seek Love there." 



154 MISCELLANEOUS POEMS. 

SONG BY A SHEPHERD. 

WELCOME, stranger, to this place, j 
Where joy doth sit on every bought 
Paleness flies from every face ; 
We reap not what we do not sow. 
Innocence doth like a rose 
Bloom on every maiden's cheek; 
Honour twines around her brows, 
The jewel health adorns her neck. 

SONG BY AN OLD SHEPHERD. ' 

WHEN silver snow decks Sylvia's cloth 
And jewel hangs at shepherd's nose,* 
^Ve can abide life's pelting storm. 
That makes our limbs quake, if our hearts be wann. 

Whilst Virtue is our walking-staff. 
And Truth a lantern to our path, 
We can abide life's pelting storm. 
That makes our limbs quake, if our hearts be wann. 

Blow, boisterous wind, stem Winter frown. 
Innocence is a Winter's gown. 
So clad, we'll abide life's pelting storm. 
That makes our limbs quake, if our hearts be 

i of BUndman's Bug {in 






MISCELLANEOUS POEMS. 



FROM JERUSALEM (1804). 



T" 



TO THE JEWS. 

HE fields from Islington to Mai7boiie, 
To Primrose-hill and St. JohnVwood ; 
Were builded over with pillars of gold, 
And there Jerusalem's pillars stood. 



Her little ones ran on the fields. 
The Lamb of God among them seen, 

And fair Jerusalem his Bride, 
Among the little meadows green. 

Pancras and Kentish-town repose 
Among her golden pillars high ; 

Among her golden arches which 
Shine upon the starry sky. 

The Jews -harp- house and the Green Mat 
The ponds where boys to bathe delight. 

The fields of cows by Willan's farm. 
Shine in Jerusalem's pleasant sight. 

She walks upon her meadows green ; 
The Lamb of God walks by her side : 

And every English child is seen. 
Children of Jesus and his Bride. 



I MISCELLANEOUS POEMS. 

Forgiving trespasses and sins 
I.est Babylon with cruel Og, 

With moral and self-righteous law, 
Should crucify in Satan's synagogue. 

^VTiat are those golden builders doing 
Near mournful, ever-weeping Paddingt< 

Standing above that mighty ruii 
^Vhere Satan the first victory won, 






Where Albion siept beneath the fatal tree, 
And the Druid's golden knife 

Rioted in human gore, 
In otferings of human life. 

They groan 'd aloud on London stond 
They groan d aloud on Tyburn's brookS 

Albion gave his deadly groan. 
And all the Atlantic mountains shook. '■ 



Albion's spectre from his loins 
Tore forth in all the pomp of war ; 

Satan his name; in flames of fire 
He stretch'd his Druid pillars far, 

Jerusalem fell from Lambeth's vale, 
Down thro' Poplar and Old Bow ; 

Thro' Maiden and across the sea, 
In war and howling, death and woe. 



MISCELLANEO US POEMS. 1 57 

The Rhine was red with human blood ; 
The Danube roird a purple tide : 

On the Euphrates Satan stood, 
And over Asia stretch'd his pride. 

He withered up sweet Zion's hill 
From every nation of the earth ; 

He withered up Jerusalem's gates, 
And in a dark land gave her birth. 

He withered up the human form, 
By laws of sacrifice for sin ; 

Till it became a mortal worm ; 
But oh ! translucent all within. 

The Divine vision still was seen, 
Still was the human form divine. 

Weeping in weak and mortal clay — 
O Jesus, still the form was thine. 

And thine the human face, and thine 
The human hands and feet and breath. 

Entering thro' the gates of birth. 
And passing thro' the gates of death. 

And oh thou Lamb of God, whom I 
Slew in my dark self-righteous pride, 

Art thou returned to Albion's land, 
And is Jerusalem thy bride ? 



8 MISCELLANEOUS POEMS. 

Come to my arms and never more 
Depart; but dwell for ever here; 

Create my spirit to thy love ; 
Subdue my spectre to thy fear. 

Spectre of Albion ! warlike fiend ! 
In clouds of blood and ruin roll'd, 

I here reclaim thee as ray own, 
My self-hood, Satan ! arm'd in gold. 

Is this thy soft family-love, 
Thy cruel patriarchal pride ; 

Planting thy family above, 
Destroying all the world beside ? 

A man's worst enemies are those 
Of his own house and family ; 

And he who makes his law a curse, 
By his own law shall surely die. 

In my Exchanges every land 
Shall walk, and mine in every land, 

Mutual shall build Jerusalem, 
Both heart in heart and hand in hand. 

TO THE DEISTS. 

I SAW a monk of Charlemagne 
Arise before my sight, 
I talk'd with the grey monk as we stood.! 
In beams of infernal light 



MISCELLANE OUS POEMS. 1 59 

Gibbon arose with a lash of steel. 
And Voltaire with a wracking wheel ; 
The schools in clouds of learning roll'd, 
Arose with war in iron and gold 

" Thou lazy monk ! " they sound afar, 
" In vain condemning glorious war, 
And in your cell you shall ever dwell : 
Rise, War, and bind him in his cell," 

The blood red ran from the grey monk's side, 
His hands and feet were wounded wide, 
His body bent, his arms and knees 
Like to tlie root 



When Satan first the black bow bent 
And the Moral Law from the Gospel rent, 
He foiled the Law into a Sword, 
And spill'd the blood of Mercy's Lord. 

Titus ! Constantine 1 Charlemagne 1 
O Voltaire I Rousseau ! Gibbon I vain 
Your Grecian mocks and Roman sword 
Against this image of his Lord. 

For a Tear is an intellectual thing ; 
And a Sigh is the sword of an Angel King ; 
And the bitter groan of a martyr's woe 
Is an arrow from the Almighty's bow. 



MISCELLANEOUS POEMS. 



TO THE CHRISTIANS. 

I GIVE you the end of a golden string,-^ 
Only wind it into a ball ; 
It will lead you in at Heaven's gate 
Built in Jerusalem's wall. 

England ! awake, awake, awake ! 

Jerusalem, thy sister, calls, 
Why wilt thou sleep the sleep of death, 

And close her from thy ancient walls? 

Thy hUls and valleys felt her feet 
Getitly upon their bosoms move ; 

Thy gates beheld sweet Zion's ways ; 
Then was a time of joy and love. 

And now the time returns again ; 

Our souls exult, and London's towers 
Receive the Lamb of God to dwell 

In England's green and pleasant bowec 



Each man is in his spectre's power 
Until the arrival of that hour. 
When his Humanity avake. 
And cast his spectre into the lake. 



MISCELLANEOUS POEMS. 



In heaven the only art of living 
Is foigetting and forgiving ; 
But if you on earth forgive 
You shall not find where to live. 



FROM "MILTON." (1804.) 

AND did those feet in ancient time 
Walk upon England's mountains green 
And was the holy Lamb of God 
On England's pleasant pastures seen? 
And did the Countenance Divine 
Shine forth upon our clouded hills ? 
And was Jerusalem builded here, 
Among these dark Satanic mills? 
Bring me my bow of burning gold; 
Bring me my arrows of desire ; 
Bring me my spear : clouds, unfold ; 
Bring me my chariot of fire. 
I will not cease from mental fight. 
Nor shall my sword sleep in my hand. 
Till we have built Jerusalem 
In England's green and pleasant land. 



MISCELLANEOUS POEMS. 



DEDICATION 

OF BLAIR'S POEM OF THE GRAVE TO 
THE QUEEN. (i8o8.)« 

THE door of Death is made of gold 
That mortal eyes cannot behold ; ' 
But when the mortal eyes are dosed, 
.^nd cold and pale the limbs reposed, 
The soul awakes and, wondering, sees 
In her mild hand the golden keys : 
The grave is heaven's golden gate, 
And rich and poor around it wait 
Oh ! shepherdess of England's fold. 
Behold this gate of pearl and gold 1 

To dedicate to England's Queen 
The visions that my soul has seen. 
And by her kind permission bring 
What I have borne on silken wing 
From the vast region of the grave. 
Before her throne my wings I wave ; 
Bowing before my sovereign's feet. 
The grave produced these blossoms s' 
In mild repose from earthly strife — 
The blossoms of Eternal Life ! 



* An edition illustrated with designs by B 



INDEX OF FIRST LINES. 



Page 

AFLOWER was offer'd to me - - - - in 

Ah, Sunflower! weary of time - - - - 112 

A little black thing among the snow - - - - 126 

All the night in woe 121 

And did those feet in ancient time - - - - 161 

Awake, awake, my little boy t 139 

Can I see another's woe ------ 105 

Children of the fiitm-e age - - " - - - 128 

Come, kings, and listen to my song - - - - 21 

Cruelty has a human heart 129 

Dear mother, dear mother, the church is cold - - 129 

Each man is in his spectre's power - - - - i6q 

Earth raised up her head no 

Father I father ! where are you going ^ - - - 93 

Fresh from the dewy hill, the merry year - - - 18 

Golden Apollo, that thro' heaven wide - - - 26 

Hear the voice of the bard 109 

How sweet I roam'd from field to field - - - 13 

How sweet is the shepherd's sweet lot - - - - 88 

** I die, I die J" the mother said - . - - 144 

I dreamt a dream ! what can it mean ? - - - 118 

I give you the end of a golden string - - - 160 

I have no name loi 



64 



INDEX OF FIRST LINES. 



I love the jocimd dance 

In fiiturily 

In beaven ihe only an of living 

I saw a monk of Charlemagnt 

Is this a holy thing to see - 

I liavell'd throuch a land of inei 

I winder through each charter'iJ 

I was angry with my friend 

I went to the enrden of Love 

I tvonder whether the girls are mad 



Justice hath heaved a sword, etc 

Little fly, thy snmmer'a play - 
Little lamh, who made thee? - 
Little Moiy Bell had a fairy in a nu: 
Love and lm.rmony cotnbine 
Love aeekelh not itself to please 

Mmioiy, hither come 

Meny, merry sparrow 

My mother bore me In the southern 

My mother groan'd, my father wept 

My silks and fine array 

Nought loves another as itself - 



O Autumn, laden with fruit and slnin 

O for a voice like thunder and a toiig 

O holy virgin ! clod in purest white 

Once a dreaai did weave a shade 

O Kose, thnu an sick 

O sons of Trojan Bmtns, clothed b v 

O thou to whose liiry the nations are 

O thou who passest thro' our valleys, etc. 

O thou with dewy locks, who lookest down 

O winter ! bar thine adttmantine doors 






lAVEX OF FIRST LfA'ES. 



Prepare, prepare ihe iron helm of war 

Samson, the strorgeal of die children of n 
Sound the flute 1 - - - - - 
Sweet dreams, form a shade 
Sweet Mary, the firat time she ever was thi 



The hell stmch one and shook the silent 
The door of death is made of gold - 
The fields irom Islington to Man'hone 
The little boy lost in the lonely fen ■ 
The maiden caught me m the wild ■ 
The modest rose puts forth a thorn - 
There is a smile ol love - 
The sun descending in the west 
The sun doea arise .... 
The veiled evening walked sohlary - 
The Wild winds weep 
Thou fair-hair'd angel of the evening 
Three Vi^ins at Ihe break of day 
T^[eT, tiger, burning bright 
To mercy, pity, peace, and love 
To see a world in a grain of sand 
Twas on a Holy Thursday, their innocen 

Welcome, stranger, to this place 
Whflle'er is born of mortal birth 
When early mom walks fortli in sober gray 
When Xay mother died I was very young - 
When rilver snow decks Susan's clothes - 
When silver snow decks Sylvia's clothes - 
When the green woods laugh with the voice of joy 
When the voices of children are heard on the green 
Whether on Ida's sliady brow . . - . 
Who is this, that with unerring step - 



Youth of Delight, come hither - 



I faces 



ERRATUM. 
Page 91, line 3, for ** beast," read beasts. 



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Nrai Edition, rrviitd, vnth additions. 410. /^l Is. 

" This volume, of which the present is a new and enlarged 
edition, is a contribution as opjiortune as it is valuable to the 
ecclesiastical literature of our time."— ia/un/a/ Revira: 

Companion to the Holy Communion, with a Prefatory 

Oflice far Confession, translated and arranged from the 
Ancient English Offices. FifiA EdiHou. i8mo. it. 

CHURCH CATECHISM, from the Book of Cottunon 
Prayer, with Pictures and Explanations. With-^ woodcuts. 
l8mo. IS. yl., or lli. dd. perdosai. 

CHURCH SERVICE, The Adult's, being the Liturgy accord- 
ing to the Use of the Church of England, for Use in Chorch; 
with Homely Explanations, Forms of Self-Examination, and 
Confession, &c. IVith 22 woodcuts, iSmo. 11. 311'., 0r in. 6d'. 
perdoiat, 

CHURCH SERVICE, The Child's, being the Liturgy ac- 
cording to the Use of the Church of England, for Use in 
Church ; with Homely Explanations to be read at Home or 
at School. fVitA ai immlciils. :Bmo. u. 3^., or 111. 6d. 
fir dozen. 

CHURTON, E. The Early English Chorch. Nae EdUian. 
lamo, maps and woodcuts, 4^. 

" A convenient manual of the pre- Reformation history, b 
a scholar and divine of the old Anglican school. . 



Pickering and Co., London. 

fail and an interesting epitome of eaily English Church 

history."— Coniiaiforary Jieiiew. 

" Readable, inlereEling, and profitable from first to last. 

It may be consulted with advantage by students of all agec, 

and relied an as fair and impartial when more ambitious 

records fail to be so." — Standard. 
COMPLIN, The Order of, according to the Use of the lUas- 

tfious Church of Saniro. Square 8vo. is. 
COOK, KENINGALB. Love in a Mist, a Romantic Drama.] 

in Familiar Blank Verse. 12mo. Zs. J 

The Guitar Player, with Sundry Poems, izmo. y. \ 

The King of Kent, a Drama, uroo. u. 

Plays and Poems, vii.. The King of Kent, The Guitar 

Player, Love in a Mist. llmo. Is. &/. 

DIVINE BREATHINGS: or, a Pious Soul thirsting alter 
Christ, in a hundred pathetical Meditations. Edited by the 
Rev. W. J. LoFTiE. iSroo. is. &d. 

"A bookof rfal merit as a serviceable manual of practical 
devotion." — Saturday Rmirw. 

" So many unimportant books have been reprinted in the 
last few years, that it is refreshing to welcome a little volume 
just published bv Pickering and Co,, 'Divine Breathings,' 

Sc The ' Divine Breathings ' are the work of a 

well-read and thoughtful man Taken as a whole 

tbey are, in a remarkable way, free from the slightest tinge 
of controversy, and may very profitably be read by either 
Catholic or Protestant. It would be unjust not to add that 
this little volume is an extremely pretty specimen of the 
Chiswick Vms."~AthiniTum. 

"This is a book of itevout piety and much learning, com- 
bined with a tender and beautiful style, which certainly 
reflects high honour upon the author, whoever he may have 
been." — Christian IVorld. 
DORE, J. H. Old Bibles ; or. An Account of the Various 
Versions of the English Bible. Crown 8vo. is. 6d. 

"Mr. Dore in the volume before us has endeavoured to 
giveapUin, unvarnished account of the English Bible. . . , 
It is beautifiilly printed."— .Sai'muiyi Rmievi. 
FANSHAWB, C. H. The Literary Remains of Catherine 
Maria Fanshawe, with Notes bj the iale Rev. Wm. Harness. 
Fcap. Svo. only 250 printed, 3J. 

"All Miss Fanshawe's playful and ladylike verMS are 
well worth collection and preservation." — Aeaiiemy, 




r 



6 Calalogut of Rccmt Publications. 

FISHER. RICHARD TROTT. Works, unifonnlyprmted. 
4 vols, Svo. It i^. 

FRERE, J. H. The Works in Proae and Verse of the R^ht 
Honourable John Hookhim Frere. Now first collected, 
wiih a Memoir by W, E. and Sir Baktlb Frere. Stcond 
Edilten, ivith Additions. 3 vol^. crown Evq. with two por- 
traits engraved by C. H. Jeens, £,1 4J. 

Large Paper, 3 vols. Svo. jfz 3j. 

" The compilers and editors of the present Tolumes have 
done good service in collecting the scaUered writings of their 
distinguished uncle. As for the memoit by which these 
writings are prefaced, we cannot compliment them too highly 

,„ ._,.. — coneralulnte them loo vrannJy o- ■■- ■- 

-'^ -'■'-- -■ -^inofall 



terest. The pages will command the attention of all readers, 
the admiration of most ; and the entire production is, on 
every ground, one of the most valuable accessions to English 
I iterature. "^Standard. 
FULLER, MORRIS, M.A. Our Established Church : its 
History, Philosophy, Advantages, and Claims. Crown Svo. 
lOr. M. 

" In the interesting work bearing the title ' Our Established 
Church ; its History, Philosophy, Advantages, and Claims,' 
the Rev. Morris Fuller gives us even more than its title pro- 
mises, for he has added a chapter on the Anglican ordinal. 
Its main object is to point out the advantages of maintaining 
the Established Church in England, and this subject is 
treated with great vigour and much learning." — Contempo- 
rary Rrvieui, 

A Voice in the Wilderness ; being Sermons preached al 

Dartmoor. Crown Svo. 71. td. 

FULLER, T. Dadd's Hainous Sinne, Heartie Repentance, 
Heavie Punishment. Crown Svo. is. 6d. 

*,* A facsimile reprint on hand-made paper of the original 
edition, which is so scarce as to be seldom met with. Only 
100 copies were reprinted. 

Life, with Notices of his Books, his Kinsmen, and his 

Friends, By J, Eqlington Bailey. Thick Svo. numereus 
illuslrntioxs. £1 y- 

GOLDIE, A. R. The Localism of Art. Crown Svo. ar, 6d. 
HOME, F. WYVILLE. Songs of a Wayfarer. Crown 
Svo. 7J. 6d 

" Rarely indeed, while wading through the volumes of 



I'ickeri/ig and Co., London. 

vetse which crowd his table, does the reviewer come upon a 
volume conlaiDiag so much that is worthy of hU attention as 
is contained in 'Songs of a Wayfarer. Mr. Home is a 
true poet. . • ■ The workmanship is alwaysjartistic, an air 
of culture hangs over all, and there is some genuine inspira- 
tion We give Mr. Home such praise as we have 

not oftentimes the pleasure of being able to accord." — 
Athfttsum. 

the nicest shades of word-painting is 



ciation of the beautiful in nature and in art." — Scelsman. 
JONES, EBENEZER. Studies of Sensation ' and Event. 

izmo. lOj. W. 
KARSI'AKE, W. H, The Liturgy of the English Church 

considered in its History, its Plan, and the Manner in which 

it 19 intended to be used. Svo. Sj. td. 

KEBLE, J. The Christian Year : Thooghts in Verae for the 
Sundays and Holy Days throughout the Year. Svo. biauli- 
fidly printed, gs. 

KEN, BISHOP. Christian Year; or, Hymns and Poenn 
far the Holy Days and t'estivals of the Church, izmo. 6j. 

LAMB, CHARLES AND MARY. Poetry for Children. 
Edited and Prefaced by K. H. Shepherd, izmo. aa'Mifwt/- 
cut initials, head and lail-piecii, a pretty little vottime, 31. bd. 

LENDRUM, REV. A. The Refonnation and Deformation, 
their Principles and Results as affecting Doctrine, Worship, 
and Disciphne, s Letter to the Archbishop of Canterbury. 
Thick Svo. 151. 

The Judicial Committee, the Misgo^'emment of the Church, 

and the Remedy. Svo. icuvd, 31. 

LONGFELLOW, H. W. Early Poems. Now first col- 
lected and edited by R. H. SHiLPHJStto. i2mo. 31. 

" Seldom, if ever, have verses fuller of rich promise or of 
actual fulfilment been composed by a boy of seventeen." — 
£xiimintr. 

LUSCOMBE, A. M. Hymns translated into Rhyming Latin 
Verse. Square crown Svo, 31-. bd. 

"They are full of promise, being turned very htppjly 
here and there." — Church Times. 



Catalogue of ReuHt PubliazUons. 



^ 



" He has shown skill, refined tasle, and vigour 
nnderings. and considerable insight into the principles and 
structure of medieval verse." — Liftrary Churc>iman. 

LYRICS OF LIGHT AND LIFE. Fiftyfour Orieinid 
Poems. By CakdinalNewman.AlbxandbrI^rd Bishop 
OF Debhv, Miss Christiana G. Rossetti, Rev. Gerakd 
Moultrie, Rev. J. S. B. Monsell, Rev. W. J. Blew, 
Aubrey oe Vers, Rev. H. N. Oxenham, Rev. Ed. 
Caswall, &c &c. Edited by Dr. F. G. Lbe. Strotid 
Editien, revised and enlarged. Haitdstmdy printed ■with 
head and iaU-pieces, fcap. Svo. &i. 

Large Paper. Crown 8vo. printed on hand-made paper, 

only H so printed, £i is. 

" That quaint collection of verse which reflects the ascetic 
and ecstatic moods in the reaction of modem religious 
thought towards medirevalism. The poetic quality in some 

of these lyrics is indubitably good The antique 

typography and scroll borders of Ihe volume are in keeping 
with the sentiment of the verses." — Scf/svian, 



" The chapters devoted to treatment are ably written. 
They commence wilh a fairly exhaustive review of all the 
methods of treatment which have from lime to time been 
vaunted ; and then the author passes on to relate bis own 
introduction and use of salicin. — Lancet. 

" It is not a book which has been rushed through the 
press, and may be lightly skimmed by the reader, for it 
contains much solid material." — MedicM Times and Gazelle. 

" We can recommend this book as well worthy of a care- 
ful perusal, both in its theoretical and practical sections." — 
Clasgmu Medieal Journal. 

" Must be regarded as a highly valuable contribution to 
medical literature, and it will unquestionably give important 
aid in advancing our knowledge on the subject of which he 
treats." — Morning Post. 

"A valuable contribution to the literature of rheumatism, 
and will have a lasling value." — Birmingkatit Medical 
Rrvirai, 

"This work, by Dr. Maclagan, who was the first to 
introduce salicylic acid as a remedy for acute rheumatism, is 
full of suf^estive remarks and valuable practical hints." — 
Journal of Psychological Medicine. ' 



Pickering and Co., London. 

"Fram Dr. Madagan's stantipoint Ihe subject is ireated 
with a. misterly liand, almost the whole literature of theu- 
malism hcing laid under contribution lo furnish material in 
favour of his views." — Monthly HotnagpatkU Revinii. 

"This work, in which the author develops hia views, is 
written with admirable luciiiity, and indicates clearly that he 
deals with his cases in a scientific spirit, and is an acute 
and thoughtful observer." — SMiman. 

MANCHESTER AL MONDO; a Contemplation of 
Death and Immortality. By Henry Mountaou, Earl of 
Manchester. Edited, with a Prefece, by J. E. Bailed, 
Author of the "Life of Fuller." l8mo. (uniform with 
"Divine Breathings"), is. 6d. 

" The little book well deserves the honour conferred upon 
it by this el^ant reprint, and the accompanying interesting 
intiodxKtion by Mr. J- E. Bailey." — Daily Nmis. 

" An interesting sketch of the author's career is furnished 
by Mr. J. E. Bailey by way of introduction to the present 
edition, and the eiquisite appearance of the volume cannot 
fail to commend it to the reading public, apart from its 
intrinsic merits, which are of a high order." — Xmi. 

" ' Manchester al Mondo ' was quite worthy of republica- 
tion for its own sake, and collectors will value it all the 
more for the elegance of its binding and the beauty of 
the printing. " — A^nchtstir Exantiner. 

"Mr. Bailey, of Manchester, has prefeced the little volume 
with a very interesting introduction, and the edilioa is in 
every way quaint and delightful." — Liverp<x^ Daily Post. 

" A dainty little reprint Within and without it is 

a book for book lovers." — Livtrfoo! Albion. 

MANUEL, PRINCE DON JUAN, the Spanish Boccaccio. 
Count Lucanor, or the Fifty Pleasant Stories of Palronio, 
written by the Prince Don Juan Manuel, A.D. I335'47, and 
now Rrst translated from the Spanish into English, hy 
James York, M.D. lamo, 6i. 

"This curious collection of 'Pleasant Stories,' written 
a century before the invention of printing, has already been 
translated into French and German, and was well worth 
putting into an English dress, .... The notes, explana- 
tory or illustrative of the stories are, as notes should b 
brief, instructive, and to the point." — Satuj-day Jien'ctv. 



1 o Catalogue ef Rtant Piiblicatiimi. 

MEDITATIONS IN THE TEA ROOM, hy 
Sceaad Edition, fcap. 8vo. 5/. 

"Here we have a collection of thoughts, aphorisms, 
comments on rnea uid things, sliutving a shrewd, samewbat 
cynical spirit, often expressed with much vigour and 

MISSAL, THE MANUSCRIPT IRISH, bebi^ 
the President and Fellows of Corpus Christi College, O. 
Edited, with Introduction and Notes, by F, E. WakbbN. 



sOicford 



8vo. ifaisiniilis, i 

"Mr. Warren has spared no trouble in his desire to give 
asufhcient edition of this important missal." — Athmaum. 

"The thanks of those interested in litui^cal studies are 
due to the editor for the spirited manner in which he under- 
took, and has carried out, the work." — Dublin Rtvirw. 

"It does |;reat credit to tlie diligence and care of Mr. 
Warren."— TiiW.?/, 



— Certain Difficulties fell by Anglicans in Catholic Teaching 
Considered, in a Letter addressed to the Rev. E. B. Pusey, 
D.D., on occasion of his Eirenicon of 1S64. ; and in a Letter 
addressed to the Duke of Norfolk on occasion of Mr. Glad- 
stone's Eiposlulalions of 1S74. Crown Svo. 5j. td. 

— Discusaons. Crown 8vo. 6j. 

Containing; I. — The celebrated " Letters of Cntholicus " 
on Education (The Tamwonb Reading Room). II. — An 
Internal Ai^ument for Christianity. III.— On English 
Jealousy of "The Army" and "The Church." IV.— On 
the Relation between Scripture and the Catholic Creed, &c. 

— Miscellaneous and Critical Essays, comprising Articles on 
Poetical, Historical, and Btf^mphical Subjects, written 
1839-71. 2 vols, crown Svo. 121, 

I.— The Nature of Poetry. II.— Rationalism. III.— 
Fall of De la Mennaia. IV.— Palmer's View of the 
Church. V. — Epistles of Saint Ignatius. VI.— Aiwlican 
Prospects. VII.— The Anglo-American Church. VfiL- 
The Countess of Huntingdon. IX. — Catholicity of AngU- 



W Pickering and Co., London. '"^^^1 

I Centur)'. XIII.— Private Judgraetil. XIV',— John Dafl-^^H 

I con. XV.— John Keble. ^^1 

' Histories! Sketches. Vol. 1. crown 8vo. &f. ^^ 

Conlaining ; I.— The History of the Turks in their rela- ' 

lion lo Europe. II.— Life of Apollonius of Tyana. III.— 
The Personal and Literary Character of Cicero. IV.— Of 
Primitive Christianity. 

Historical Sketches. Vol, II. crown 8vo. 6j. 

Containing; I.— A Sketch of the Life of Theodoret (now 
first printed). II.— A Sketch of theLifeof St. Chrysoaloni. 
III.— Of the Mission of St. Benedict. IV.— Of the Bene- 
dictine Schools, v.— The Church of the Fathers, contain- 
ing Sketches of St. Basil, St. Gregory, St. Anthony, St. 
Augustine, Demetrius, and St. Martin. 

Historical Sketches. Vol. III. crown 8vo. 6r. 

Containing : I. — A Sketch of the Rise and Progrtss of 
Universities. II. — An Esiay on the Northmen and Nor- 
mans in England aod Ireland. IH. — A Review of Medln^val 
Oiford. IV.— An Historical Sketch of the Convocation of 
Canterbury. 

On Miracles. Two Essays on Scripture Miracles, and on 

Ecclesiastical. Crown 8vo. 6j. 

Tracts, Theological and Ecclesiastical. Crown Svo. %s. 

Containing:!. — Dissertatiuncula;. II. — The Doctrinal 
Causes of Ariaaisro. IIL — ApoUonarianism. IV. — St. 
Cyril's Formula. V.— Ordo de Tempore. VI.— On the 
various revisions of the Douay Ver^ons of Scripture. 

Several of the above have never been pkeviously 
PBINTBD, others are from periodicals now inaccessible. 

The Via Media of the Anglican Church. Vol. I. contain- 

Li^ the whole of the " Lectures on the Prophetical Office of 
the Church Viewed Relatively to Romanism and Popular 
Protestantism," as published in 1837; with New Preface 
and Notes. Vol. 11. containing Occasional Letters and 
Tracts written between 1S30 and 1S41. 3 vols, cron-n Svo. 

Idea of a University, Considered in Nine Discourses, Occa- 
sional Lectures, and Essays. Crown 8vo. "js. 

Select Treatises of St. Athanasius in CJintroversy with the 

Arians. Freely Translated. 2 vols, crown Svo. IJJ. 



1 3 Catalogue of Recent Publications. 

PAYNE, JOHN. The Masque of Shadows, and Oiber 
Poems. Fcap. 8vo. ^s. 

Inlaglios, Sonnels. lamo. Jj. &/. 

"fiicdlenl scholai's work in poetry." — Acadimy. 

Lautiec, a Poem. 1 2mo. 3J. &/. 

" His command of melodious language and imaginative 
power are undoubted ; and his place among poets of that 
new iichool of which Mr. Rouelti is (he prophet, is a high 
ao.e:'— John Bull. 

SANDYS, R. H. In Ihe Beginning: Remarks on Certain 
Modem Views of the Creation. Sicond Edilion. Crown 
8vo. 6j. 

"Abounding . . . in passages of deep thought, religious 
feeling, and manly eloquence. — Times. 

"The author assails mercilessly Ihe various schools of 

modem thought, as they delight to call themselves 

The veils are drawn from their sophislries, and their theories 
are keenly dissected ; while ihe writer's own conclusions are 
beaulifiilly drawn out" — Tablet. 

Antitheism ; Remarks on its Modem Spirit. Crown 

Svo. 4/. dd. 

SCOTT, P. Christianity and a Personal Devil. Second 
EdiliBii. Fcap. Svo. 5/. 

SHIRLEY, E. P. A History of the County of Monaghan. 
Folio, with numerous Illustrations, Antiquarian and He- 
raldic, only 250 copies frinled, £\ 41. 

"This work bids fair to stand at the head of all Irish his- 
lories devoted to similar local, social, and family illustra- 
tions." — Note! and Queries. 

" Mr. Shirley's histoiy is gleaned ftrom many and varied 
sources, the reference to [he authorities being always given. 
Its great value consists in the care with which whatever □{ 
interest was anywhere accessible has been collected. The 
freshness of the pedigrees, and the accuracy of the inscrip- 
tions from sepulchral monuments, will render the book indis- 
pensable in all libraries." — Academy. 

SONGS OP SOCIETY from Anne to VictorU. Edited, 
with Notes and an Introduction, byW. Davenport Adams. 
Fcap. Svo. 51. 

Large Paper {only 25 printed), £1 u. 

"A charming selection . . . selected with admirable 



Pickering and Co., London. 

Uste and true appreciation. A volume upon which all'l 
lovers of genuine poetry will place the highest value. "—■ 
Aforviitg A dvtrtisir. 

"An excellent little volume for a lady's d tawing- roo 
Vanity Fair. 

" The selection is a good one. It makes a very pleisatil I 
volume, pretty sure, wherever one opens it, to yield soms 
thing worth reading or renewing Hcquainlance with,"— 
Sfia/alnr. 
TENNYSONIANA. Srcond Edition, raised and enlargoL 

Fcap. Svo. 6s. ' 
Largs Pafir {only i^ printed), £\ \s. 

" There is a great deal in the volume which must prove 
interesttDg to the admirers of the Laureate. . . . Altogether , 
the work should be welcome aa a book of reference."- — 
Graphic. 

"This book must be considered almost indispensable to 
any one who desires to have a thorough knowledge of 
Tennyson's writings." — The Week. 
TRELAWNY, E. J. Records of Shelley, Byron, and the 
Author, New Edition, greatly enlarged. 2 vols, crown Svo. 
with portraits and plates, i2s. i 

" His book stands alone in the voluminous and confiised | 
literature which deals with the lives of Shelley and Byron." 
— Saturday Review. 

"We will only add that Trelawny's merits as a biographer 1 
consist mainly in clear insight, the power of saying exactly I 
what he means in language that is at once plain, lerse, and j 
pointedly descriptive, without any amplifying or circumlo- 
cution, and a wholly unconventional tone and temper of 
mind. He observes well, remembers well, and expresses 
well. " — Academy. 

" Asa bic^^phic source for the last year^ of Shelley's life, 
Mr. Trelawny's book is invaluable. . . . Even if written by 
an outsider, this account of a poetic still-life would be attrac- 
tive; but coming from one who for months was Shelley's 
constant compamon, who performed his funeral rites, and 
broke the news of his death lo his widow, it may fairly be 
said to rank with the standard works of biographic litera- 
ture. "—/V/ jWit// Gazelle. 
WAGE, H. Christianity and Morality ; being the Boyle Lec- 
tures for 1874-5. By Henry Wace, D.D., Piebendary ot ' 
St. Paul's, Preacher of Lincoln's Inn, Professor of Eccle- 
siastical History, King's College, London, Bampton Lecturer 



1 4 Catalogue of Rt£eni Publications. 

for 1879 ii 
Edition. 

",Mr, Wace's book ia one of (he very few of its kind 
which have in them nol only blellectual, but also spiritual 
force. " — Speclaler. 

"Mr. Wace seems lo us to liave made by far ihe most 
important and valuable coclribultoii to English theolt^cal 
lilerature that lias tieen made for many years." — Congre- 
galionalist. 

TTie Foundations of Failh ; being the Bampton Lectures 

for the year 1879, Seccnd Edition. 8vo. 7/. Sd. 

" True and good and seasonable." — Spectator. 

"To this work, as a whole, we give a cordial welcome." 
— CIlUTch Quarterly Srtlinv. 

" Mr. Wace has done noble service in this suggestive 
volume." — Evnngeliial Magasine. 
WALTONIANA. Incdiled Remains in Verse and Prose ot 
Izaak Walton, author of the "Complete Angler." With 
Notes and a Preface by R. H. Skepkekd. Crown 8vo. 
7i, 61/. 

" This dainty little volume distinctly belongs to the class 
of literaiy luxuries, and not (o the loaves and hshes of sturdy 
bibliomania. A hearty reader or a gluttonous collector will 
disdain its brevity and the miscellaneous character of its corn- 
tents, but to the critic and literary historian it is not without 
interest and even value." — Alheiueum. 

" As this charming little volume, with its curiously old- 
fashioned typography, attests, Walton was for the best part of 
his life a writer of verses, if not a poet, ajid in all his verses 
the simplicity and serenity of his cheerful and affectionate 
nature shine out with a pleasunt force." — Daily Nezca. 
WARBURTON, R. E. EGERTON-. Hunting Songs. 
Sixlk Edition. i2mo. wilh z-igtulle title, is. 

Songs and Verses on Sporting Subjects, l2mo. is. 6d. 

"All who remember — and who has forgollen it? — the 
'Tantivy Trot" will eagerly take up ' Songs and Verses on 
Sporting Subjects,' byR. E. Egetton-Wartmrton (Pickering), 
and they will not be disappointed. There is much that 
deserves remembrance in the unpretending little book." — 
Graphic. 

"'Songs and Verses on Sporting Subjects,' by R. E. 
Egerlon-Warburlon (Pickering), comprises another addition 
lo the poetry of the chase by that admirable writer whose 



Pickering and Co., London. 



Ik 



hunting songa of Cheshire and other cauoties have long 
earned him [he litle of the ' poet- laureate " of the hunliag 
— Sporting Caitlle. 

Poems and Epigiaxns. Crown 8vo. enfy ajo frinled, 

y. 6d. 

Twenty-Two Sonnets. Small4lo. llfiill-pagrillustratieiu, 

its.bd. 

WAR.WICK, ARTHUR. Spare Minutes; or, Resolved 
Meditations and Premeditated Resolutions. Edited by 
the Rev. W. J. Loftie. i8mo, uniform with "Divine 
Breathings." Ii. 6i/. 

"This is a delightful little book, printed at the Chiswick 
Press, elegantly attired, rivalling the conciseness oF its literary 
style in its typography and binding ; so that he who has not 
loo many spare minutes may well carry these about with him 
in his waistcoat-pockeL — St. James's Caatte. 

WILBERFORCE, R. T. The Five Empires; an Outline 
of Ancient History, PiftecHth Edition. l2mo. maps and 
plates, J!, 61/. 

" When a hook has reached its fifteenth edition it passes 
beyond the limits of criticism and can speak for itself. The 
work before us is well known, and of its usefulness there can 
be no (jqeation. "—Ckiireh and State. 

" It IS unnecessary to make many comments on a volume 
which has been so widely successful as Mr. Wilberforce's 
' Five Empires.' "—Pall Mall Gaulle. 

WINSCOM, CAVE. Tsoe, and other Poems, l2mo. y. (id. 

Waves and Caves, and other Poems, linio. 31. 6J. 

Camden, and other Poems. i2mo. 3J. dii. h 

Wild Oats. Square iimo. 3s. &/. I 

YACHTSMAN'S HOLIDAYS, A; or, Cruising in ihe ' 

West Highlands. By the "Governor." Saoud Edition. 
Crown 8vo. cloth, with illastrations on wood, 55. 

"Although the 'Governor,' in his brief preface, modestly 
affects to apologize for the national absence of humour, in 
reality he shows a quick perception ofcomic sides of character; 
and, as he can tell a capital story, he makes bis narrative 
very amusing. He takes off the islanders and their broken 
Anglo-Saxon vernacular in a manner that would do credit to 

Mr. William Black Alli^ether, the little volume is 

greatly to be recommended to any adventurer in those 



I Calalegue of Recent Publications, 

Weslem witen ; and, ttunks lo its modest proportions, 
there can be no objection to shipping il among the aea-stores 
of even ^uch a vessel as the ^ lima.' — Saturday Rrsi^w, 

"Anyone who intends cniising north during the coming 
sumrocT would do well lo obtain ' A Yachtsman s Holidays, 
it contains so man; valuable hints of the places most worth 
seeing, and many useful sailing directions obtained from 
personal experience. .... The volume is ofa vety handy 
size, and we think every yachtsman should find a pUce 
for it in bis book locker. "—^Kitf. 

" Four cruises are described, esich in a separate craft. . , , 
Good seamanship was, of course, needed when cruising in 
such small boats among the notthera lochs, but the 'Governor' 
evidently knows what he is about when the-tiller is in his 
hand as well as he does when he Iskes up the pen. The 
result of both gifls is, that he not only escaped ' the dangers 
of the deep,' but that the public are indebted to him for ■ 
book whose only Etull is its brevity. " — Globe, 

" He interests his readers in his crafl, and in the voyagings 
he made by their help, giving us a very lively and graphic 
picture of life on, or rather, we should say, off the West 
Coasl. ■' — SpKtator. 

"The ' Governor' is evidently one whose company is to 
be desired on a yachting cruise. He is a man of few dislikes 
and many sympathies. .... We are certain he will not 
want readers." — Glasgow Herald. 



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